La Alcazaba is Malaga's most important landmark, and overlooks the city from a hilltop inland. It is one of two Moorish fortresses in the city, the other being the Castillo de Gibralfaro. The Alcazaba is the best-preserved Moorish fortress palace in Spain.
Constructed on the ruins of a Roman fortification during the reign of Abd-al-Rahman I, the first Emir of Cordoba, in around 756-780 AD, the Alcazaba's original purpose was as a defence against pirates, thanks its commanding position with views over the city, down to the sea and across to Africa.
The fortress was rebuilt by the Sultan of Granada, Badis Al-Ziri, from 1057-1063 AD, while the fortified double walls that connect the Alcazaba to the neighbouring Castillo de Gibralfaro, over the Coracha ridge, were built by the Nasrid ruler Yusuf I in the 14th century, when most of the inner palace was also refurbished. As a palace, it was home to a number of Moorish rulers.
Ferdinand and Isabella captured Málaga from the Moors after the Siege of Málaga (1487), one of the longest sieges in the Reconquista, and raised their standard at the Torre del Homenaje in the inner citadel.
The Alcazaba has a distinct feel from its more famous, younger neighbours, the Alcazar of Sevilla and the Alhambra of Granada. It was already three centuries old when the others were build. After the reconquest, it fell into decay until restoration work began in 1933, and continues slowly today. Two of its original three walls remain, as well as over 100 towers and three palaces.
It was restored several times and most recently in the 20th century, and today the building and its important archaeological legacy can be visited. Remains of the Roman walls lined with red stucco appeared and small cisterns carved into the slate and used for making garum (the fish paste made by the Romans) were found during the first archaeological dig. There is also a dungeon where Christian slave girls were locked after working during the day.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.