The Antequera Dolmens Site is a cultural heritage ensemble comprising three prehistorical monuments: the Dolmen of Menga, Dolmen of Viera and Tholos of El Romeral. It was declared a World Heritage Site in 2016 together with two natural mountain features (the Peña de los Enamorados and El Torcal).
Built during the Neolithic and the Bronze Age out of large stone blocks that form chambers and spaces with lintelled roofs (Menga and Viera) or false cupolas (El Romeral), and used for rituals and funerary purposes, the Antequera megaliths are widely recognised examples of European Megalithism. The megalithic structures are presented in the guise of the natural landscape (buried beneath earth tumuli) and their orientation is based on two natural monuments: La Peña de los Enamorados and El Torcal. These are two indisputable visual landmarks within the property.
The Neolithic Dolmen of Menga represents one of the most important masterpiece of megalithic architecture (Atlantic tradition) based on post-and-lintel construction with an earthen covering, notable for its enormous dimensions that push the size possible in a corridor sepulcher by incorporating the unprecedented solution of intermediate pillars; likewise, the later, Chalcolithic tholos (beehive tomb) of El Romeral complements the two dolmens with its corridor and false dome of drystone masonry (Mediterranean tradition).
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.