El Teatro Romano is the oldest survived monument in Málaga City; it is situated at the foot of the famous Alcazaba fortress. The theatre was built in the first century BC, under Emperor Augustus, and was used until the third century AD. Subsequently it was left to ruin for centuries, until the Moors settled in Andalucía. In 756-780AD the amphitheatre was used as a quarry by the Moorish settlers , to excavate the stone used to build the Alcazaba fortress - you can see some Roman columns and capitals in the fortress. Over time it became buried under dirt and rubble, and remained hidden there for almost five centuries.
The theatre was rediscovered in 1951, when the construction of Casa de Cultura uncovered the first archaeological clues. The construction of the gardens was abandoned, and instead excavations began. In 1995 a polemic decision was made to demolish the Casa de la Cultura, which stood over a third of the site. Once the site had been fully excavated, a large scale restoration project began, which proved more difficult than anticipated, as many of the missing pieces are now part of the foundations of the neighbouring Alcazaba.
On 15 September 2011, 27 years after reconstruction began, El Teatro Romano reopened to the public, and held its first stage performances for millenia, with performances from Andrés Mérida, Daniel Casares, and Carlos Álvarez, reading from Juvenal Soto and the poetry of Pablo Picasso and Manuel Alcántara. The amphitheatre is now open throughout the year for visitors, and in summer, it will be used for open-air performances. It seats 220 spectators.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".