The Antequera Dolmens Site is a cultural heritage ensemble comprising three prehistorical monuments: the Dolmen of Menga, Dolmen of Viera and Tholos of El Romeral. It was declared a World Heritage Site in 2016 together with two natural mountain features (the Peña de los Enamorados and El Torcal).
Built during the Neolithic and the Bronze Age out of large stone blocks that form chambers and spaces with lintelled roofs (Menga and Viera) or false cupolas (El Romeral), and used for rituals and funerary purposes, the Antequera megaliths are widely recognised examples of European Megalithism. The megalithic structures are presented in the guise of the natural landscape (buried beneath earth tumuli) and their orientation is based on two natural monuments: La Peña de los Enamorados and El Torcal. These are two indisputable visual landmarks within the property.
The Neolithic Dolmen of Menga represents one of the most important masterpiece of megalithic architecture (Atlantic tradition) based on post-and-lintel construction with an earthen covering, notable for its enormous dimensions that push the size possible in a corridor sepulcher by incorporating the unprecedented solution of intermediate pillars; likewise, the later, Chalcolithic tholos (beehive tomb) of El Romeral complements the two dolmens with its corridor and false dome of drystone masonry (Mediterranean tradition).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.