The Museum of Cadiz was founded in 1970 after the merger of the Provincial Museum of Fine Arts with the Provincial Museum of Archaeology. It is on three floors, archaeology on the ground floor, art on the first, and puppets on the second floor. Entry is free for citizens of the European Union.
The origin of the museum came in 1835, when art was confiscated from a monastery, including paintings by Zurbarán taken from the Charterhouse of Jerez de la Frontera. Other paintings included the works of Murillo and Rubens. The collection grew during the century, due to the city's Academy of Fine Arts which practised romanticism and neoclassicism. In 1877, after a Phoenician sarcophagus was found in the city's shipyard, the Archaeological Museum was founded. However, it was not until 1970 that the two institutes, despite sharing the same building, were merged. From 1980, the architect Javier Feduchi planned a reform of the building in three phases, of which two have been completed.
In addition to the 19th-century pieces, the art museum has received contemporary art from the Junta de Andalucía. Its archaeological section has also received donations, particularly of coins. Despite a range of prehistoric findings from Southern Andalusia, due to local history, it has a lack of artefacts from the Middle Ages. The 'Tía Norica' set of puppets, used at the Carnival of Cádiz, was acquired by the State.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.