Santa Marina is one of the so-called 'Fernandinean Churches', edificated in the city after Ferdinand III of Castile conquered it from the Moors in the 13th century. The structure combines proto-Gothic, Mudéjar and, to a lesser degree, late-Romanesque elements.
The church, one of the oldest of the Fernandinean group, was built in the second half of the 13th century where previously a Moorish mosque and before that a 7th-century Visigothic church had existed. No trace of them remains today.
On 23 June 1880 the church suffered a fire, which required a restoration lasting two years. Other renovations were carried out in the 19th and 20th centuries, during which the medieval appearance of the building was restored, by removing the Baroque additions introduced after the damage from the 1680 and 1755 earthquakes.
The church has a rectangular, or basilica, plan, divided into a nave and two aisles, the nave being far higher than the latter. The aisles are separated from the nave by large pointed arches.
The facade is characterized by four large, asymmetrical buttresses, ending with pinnacles, and corresponding to the interior separation between nave and aisles. Also present are a main central rose window, smaller circular windows, and alfizes over the ogival arch of the main portal. The facade corresponding to the left aisle features a secondary portal, surmounted by a triangular arch.
The apses are polygonal. In the right aisle is the sacristy, built in the 15th century. The left aisle apse was adapted to house a Baroque chapel from 1630. The bell tower dates to the 16th century.
The 'retablo' of the Main Chapel houses paintings by Antonio del Castillo and sculptures from the local artist Gómez de Sandoval.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.