Located in Baena, the Torreparedones Archaeological Park, also known as Torre de las Vírgenes and Castro el Viejo, is one of the most important archaeological places in the province of Cordoba from an archaeological viewpoint. Since the Modern Age it has been known for the casual appearance of notable remains that reflect the category it once had in antiquity.
It is located in the heart the Cordoba countryside and is part of the municipal districts of Baena and Castro del Río. It also has a visitor reception centre and a large car park.
The site was inhabited from the end of the Neolithic era until the beginning of the 16th century, reaching its maximum splendour in Iberian and Roman times, when it obtained the status of colony or municipal district. The most significant finds date from these times.
The most significant elements which the site provides these days are Roman buildings like the East door with a road in perfect condition, the forum and adjacent buildings, spas and the market, the medieval castle, a 16th century chapel, the necropolis with underground tombs and the Iberian-Roman sanctuary located to the South, outside the walls, where hundreds of votive offerings have been sculpted in stone, and where the faithful deposited their offerings for several centuries dedicated to the god which was worshipped there: Dea Caelestis.
The chance discovery of the so-called “Mausoleum of the Pompeyos”, in 1833, a monumental tomb containing the incinerated remains of 12 people from the same family, with their names etched in stone urns, was a landmark in the history of the site because it drew the attention of numerous national and foreign researchers.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.