Located in Baena, the Torreparedones Archaeological Park, also known as Torre de las Vírgenes and Castro el Viejo, is one of the most important archaeological places in the province of Cordoba from an archaeological viewpoint. Since the Modern Age it has been known for the casual appearance of notable remains that reflect the category it once had in antiquity.
It is located in the heart the Cordoba countryside and is part of the municipal districts of Baena and Castro del Río. It also has a visitor reception centre and a large car park.
The site was inhabited from the end of the Neolithic era until the beginning of the 16th century, reaching its maximum splendour in Iberian and Roman times, when it obtained the status of colony or municipal district. The most significant finds date from these times.
The most significant elements which the site provides these days are Roman buildings like the East door with a road in perfect condition, the forum and adjacent buildings, spas and the market, the medieval castle, a 16th century chapel, the necropolis with underground tombs and the Iberian-Roman sanctuary located to the South, outside the walls, where hundreds of votive offerings have been sculpted in stone, and where the faithful deposited their offerings for several centuries dedicated to the god which was worshipped there: Dea Caelestis.
The chance discovery of the so-called “Mausoleum of the Pompeyos”, in 1833, a monumental tomb containing the incinerated remains of 12 people from the same family, with their names etched in stone urns, was a landmark in the history of the site because it drew the attention of numerous national and foreign researchers.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.