Located in Baena, the Torreparedones Archaeological Park, also known as Torre de las Vírgenes and Castro el Viejo, is one of the most important archaeological places in the province of Cordoba from an archaeological viewpoint. Since the Modern Age it has been known for the casual appearance of notable remains that reflect the category it once had in antiquity.
It is located in the heart the Cordoba countryside and is part of the municipal districts of Baena and Castro del Río. It also has a visitor reception centre and a large car park.
The site was inhabited from the end of the Neolithic era until the beginning of the 16th century, reaching its maximum splendour in Iberian and Roman times, when it obtained the status of colony or municipal district. The most significant finds date from these times.
The most significant elements which the site provides these days are Roman buildings like the East door with a road in perfect condition, the forum and adjacent buildings, spas and the market, the medieval castle, a 16th century chapel, the necropolis with underground tombs and the Iberian-Roman sanctuary located to the South, outside the walls, where hundreds of votive offerings have been sculpted in stone, and where the faithful deposited their offerings for several centuries dedicated to the god which was worshipped there: Dea Caelestis.
The chance discovery of the so-called “Mausoleum of the Pompeyos”, in 1833, a monumental tomb containing the incinerated remains of 12 people from the same family, with their names etched in stone urns, was a landmark in the history of the site because it drew the attention of numerous national and foreign researchers.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.