Gudhem Abbey, (Gudhems kloster), in operation from 1152 to 1529, was a nunnery in Sweden, initially Benedictine and later Cistercian. It is considered to have been one of the oldest convents in Sweden, after Vreta Abbey (1100) and Alvastra Abbey (1143).
Gudhem, a name signifying "Home of the Gods", was according to tradition a holy place of worship already before Christianity. According to the saga, one hundred images of the thunder god Thor was placed in Gudhem. According to a popular legend, Gudhem Abbey was founded in 1052 by Gunnhildr Sveinsdóttir, Queen Dowager of Sweden and Denmark, who returned to a life of penitence in her estate in Västergötland in Sweden, after her marriage with king Svein II of Denmark was annulled by the Church. In reality, however, the Abbey was founded exactly one hundred years later, in 1152. Charles VII of Sweden donated the royal estate of Gudhem Manor to the Abbey during his reign (1161-1167), and the nunnery was by then described as newly established.
Gudhem Abbey was a prestigious during the 13th century, when it was responsible for providing the Pilgrims of Nidaros with hospitality. The Swedish Queen Dowager Catherine of Ymseborg entered the abbey in the mid 13th century and donated her wast estates to it. During the reformation in 1527, the abbey was confiscated by the crown, and the year after, it was granted to the knight Nils Olofsson. The former nuns, however, were granted an allowance from the properties formerly belonging to the abbey and the right to live in the building for life. In 1529, the abbey caught fire and burned down. The last abbess asked the King to rebuilt the abbey, but her request was not granted, and the nuns was housed by the surrounding peasantry. They continued to be supported by the allowance granted them in 1527. There were still former nuns benefiting from the allowance living in the surroundings of the former abbey in 1540. The abbey was never rebuilt again, and the ruins were used as a quarry.
In the late 17th century, the walls of the church was still in original height. The ruins was excavated in 1928-1969. Gudhem Abbey is the inspiration of the nunnery in The Knight Templar (Crusades trilogy), were the character Cecelia is imprisoned.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.