The Doria Castle is situated in a dominant position overlooking the Dolceacqua village. The first mention of the castle and the village, called at the time Dulzana, dates back to 1177 in an ancient document in which abuts the property of the counts of Ventimiglia. Will be in 1270, almost a hundred years later, the feud and its manor house will be purchased by Oberto Doria - the latter founder of the famous dynasty that will dominate Genoa and its Republic - which will expand its territories in the Nervia Valley up to the villages of Apricale, Perinaldo and Isolabona.
The castle will be in the 14th century in the center of fights between the factions of the Guelphs and the Ghibellines and the Doria family, exponent ghibellina, will therefore have to undergo two heavy sieges in 1319 and in 1329; the sieges were ordered by King Robert of Anjou, Count of Provence and the Guelfa, who succeeded in his aim of conquest forcing the Doria to submit to his will. The lords of the family will become therefore the vassals of the latter and afterwards of the Republic of Genoa. In 1744 the castle was once again the scene of clashes and furious battles because of its strategic position deemed important for the possible obstacle that could create to the French army and Spanish. The two armies, Allies, succeeded after violent struggles to conquer the fortress on 27 July 1745.
Originally the structure was composed in the 12th century by a circular tower - still existing at the center of the complex - and by a smaller building where he lived the office of guard. The castle was enlarged in the 16th century by the then lord local Stefano Doria, to which he added to the previous structure a bastion rammed in the eastern sector and the two square towers are identical. Today the structure appears as divided into two blocks, the front part was in fact intended to control and safety of the village as well as local service, prisons and warehouses; the rear, connected with the front body through a large courtyard, was instead where they were located the environments of the representation and reception of guests and where did the local lords.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.