The Château de Padiès is a unique Renaissance château complex. The history of Padiès firmly place it within its historic and geographic context. It has been established that the château existed at least before 1209. The Seigneurs were Cathar sympathisers and records from the Inquisition through to the 13th century are testimony to this.
During the Wars of Religion, the château was attacked and pillaged by the Protestants in 1572; the then seigneur blew himself up with the aid of a barrel of gunpowder, his wife and children were taken to nearby Puylaurens where they became Protestant. The son rebuilt Padiès in its present form. Around a hundred years later with the revocation of the Edict of Nantes, the family reaffirmed their Catholic origins. Later, the young Emmanuel de Las Cases stayed at Padiès; he recorded his fond memories of the generous lady of the house, Marie-Claire Villèle (aunt of Jean-Baptiste de Villèle, a future minister of Louis XVIII), and the gardens populated with boxwood animal heads, espalliered grenadiers, the birds, the fireplace one could sit in. Las Cases went on to become a general under Napoleon, and to write the Mémorial de Ste Hélène.
The last of the Padiès were imprisoned in their château during the French Revolution. They were eventually pardoned because of their “grand old age”. They had no children. In 1800, Pierre de Padiès died leaving his property to his widow, Marie-Claire. She left the château to her family who in turn sold it to the Fabre family in 1826. Padiès remained in the Fabre family until 1992, the date of its acquisition by Denis Piel and Elaine Merkus, the new restorers.
Padiès appears to be a Toulousain hotel particulier transported to the countryside, yet the mass of the building and the diagonally placed towers recall the military role of the château.
The owners of the Château de Padiès are building an environment to reconnect Padiès with its surroundings in a sustainable way.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.