Andrea Palladio Architecture

Villa Emo

Villa Emo was designed by Andrea Palladio in 1559 for the Emo family of Venice and remained in the hands of the Emo family until it was sold in 2004. The building was the culmination of a long-lasting project of the patrician Emo family of the Republic of Venice to develop its estates at Fanzolo.  Since 1996, it has been conserved as part of the World Heritage Site 'City of Vicenza and the Palladian Villas of the V ...
Founded: 1559 | Location: Fanzolo, Italy

Villa Cornaro

Villa Cornaro was designed by the Italian Renaissance architect Andrea Palladio in 1552 and is illustrated and described by him in Book Two of his 1570 masterwork, I Quattro Libri dell"Architettura. Villa Cornaro was mainly constructed in 1553-1554, with additional work into the 1590s, after Palladio had died, for Giorgio Cornaro, younger son of a wealthy family. It represents one of the most exemplary examples of a ...
Founded: 1552-1554 | Location: Piombino Dese, Italy

Villa Serego

Villa Serego was built for the aristocratic Sarego family, and designed by Andrea Palladio. The villa is distinctive for its use of rusticated columns of the Ionic order. The villa was commissioned by the Venetian nobleman Marcantonio Sarego for an estate which came into his possession in 1552. A rough date for its execution is c. 1560-1570. In 1857 further construction took place, which makes the villa appear finished b ...
Founded: 1560-1570 | Location: Pedemonte, Italy

Villa Angarano

The Villa Angarano was originally conceived by Andrea Palladio who published a plan in his book I Quattro Libri dell"Architettura. Work was started on the wings of Palladio"s design in the 1540s or 1540s . A decision appears to have been reached to leave a pre-existing house in the middle of the site. The proposed Palladian villa was never built: Palladio"s patron may have been obliged to halt the project f ...
Founded: 1540s | Location: Bassano del Grappa, Italy

Villa Badoer

Villa Badoer was designed in 1556 by Andrea Palladio for the Venetian noble Francesco Badoer, and built between 1557 and 1563, on the site of a medieval castle which guarded a bridge across a navigable canal. This was the first time Palladio used his fully developed temple pediment in the facade of a villa. Villa Badoer has been part since 1996 of the UNESCO World Heritage Site 'City of Vicenza and the Palladian Vil ...
Founded: 1556-1563 | Location: Fratta Polesine, Italy

Villa Zeno

Villa Zeno in Cessalto is the most easterly villa designed by Renaissance architect Andrea Palladio. The building is near the highway between Venice and Trieste, but was built to face a canal which served as the primary means of arrival. Palladio"s building for the Zeno family has been dated to the 1550s. It is illustrated in I Quattro Libri dell"Architettura, the architect"s influential publication of 157 ...
Founded: 1550s | Location: Cessalto, Italy

Villa Valmarana

Villa Valmarana (also known as Valmarana Bressan) is a patrician villa at Vigardolo, Monticello Conte Otto. The building is attributed to Andrea Palladio on the basis of an extant drawing of the villa that is undoubtedly by the great architect. The villa was constructed during the 1540s, so it is one of Palladio"s earlier works. It was commissioned by two cousins of the Valmarana family. The layout of the rooms sugg ...
Founded: 1540s | Location: Monticello Conte Otto, Italy

National Archaeological Museum

National Archaeological Museum of Cividale del Friuli is known for the high medieval archaeology, particularly with regard to the art Lombard. It is housed in the Palace Pretorio. It was founded at the Palais de Nordis in 1817 by count Michele della Torre Valsassina, before being transferred in 1990 at the Palace Pretorio in Duomo square. The present palace is attributed to Andrea Palladio and was built between 1565 and ...
Founded: 1565 | Location: Cividale del Friuli, Italy

Villa Saraceno

Villa Saraceno has been dated to the 1540s, which makes it one of Andrea Palladio"s earlier works. In 1570 the building was illustrated in an imagined state in its architect"s influential publication 'Four Books of Architecture'.  Villa Saraceno is one of Palladio"s simpler creations. Like most of Palladio"s villas it combines living space for its upper-class owners with space for uses rela ...
Founded: 1540s | Location: Agugliaro, Italy

Villa Trissino

Villa Trissino is an incomplete aristocratic villa designed by Andrea Palladio, situated in the hamlet of Meledo. It was intended for the brothers Ludovico and Francesco Trissino. It should not to be confused with Villa Trissino at Cricoli, which is 20 km away, just outside Vicenza. Villa Trissino, like most of the Palladian villas, was to be the centre of an agricultural estate built for an aristocratic family. What sur ...
Founded: 1560s | Location: Meledo, Italy

Villa Gazzotti Grimani

Villa Gazzotti Grimani is a Renaissance villa, an early work of architect Andrea Palladio. In 1994 UNESCO designated it as part of the World Heritage Site 'City of Vicenza and Palladian Villas of the Veneto'. The villa was designed and built in the 1540s for the Venetian Taddeo Gazzotti and, like a number of Palladio"s buildings, it incorporates a pre-existing structure. In 1550, before the building was co ...
Founded: 1540s | Location: Vicenza, Italy

Villa Forni Cerato

The Villa Forni Cerato is a 16th-century villa in Montecchio Precalcino. Its design is attributed to Andrea Palladio and his client is assumed to have been Girolamo Forni, a wealthy wood merchant who supplied building material for a number of the Palladio"s projects. The attribution to Palladio is partly on stylistic grounds, although this is a complicated issue - the building departs from the Palladian norms. The v ...
Founded: 1540s | Location: Montecchio Precalcino, Italy

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Fortrose Cathedral Ruins

Fortrose Cathedral was the episcopal seat of the medieval Scottish diocese of Ross. It is probable that the original site of the diocese was at Rosemarkie (as early as AD 700), but by the 13th century the canons had relocated a short distance to the south-west to the site known as Fortrose or Chanonry. The first recorded bishop, from around 1130, was Macbeth. According to Gervase of Canterbury, in the early 13th century the cathedral of Ross was manned by Céli Dé.

The oldest part of the present ruin is north choir range of the late 1300s. This range is now free-standing but was once attached to the choir. The only other part still standing is south aisle and chapel, built in the late 1300s.

The cathedral ceased to function as such at the Protestant Reformation in 1560. The story goes that most of the stonework went to build Cromwell’s citadel in Inverness in the early 1650s.

Only the ground plan survives of the cathedral itself. All that remains above ground are two separate structures that once projected out from it. The older of the two is the two-storey building that projected from the north side of the choir. This housed the sacristy and chapter house at ground level, and perhaps a treasury and library on the more secure upper floor. Though never a wealthy diocese, the chapter comprised 21 senior clergy, called canons.

After the Reformation, the building was retained and fitted out as the burgh’s tollbooth (town hall and prison). The upper floor was adapted as the council chamber and court house, and the lower floor as a prison.

This elegant structure was added to the south wall of the nave in the late 1300s by Countess Euphemia of Ross (d. 1395). It was doubtless intended as a chantry chapel, where prayers were said for the countess’s soul. Her fine canopied tomb, with little left of its effigy, is built into the east arch of the chapel. Two other monumental tombs are of Bishop Fraser (d. 1507) and Bishop Cairncross (d. 1545).

The quality of the structure’s masonry is outstanding. It is evident in the fine stone vaulting and in what remains of the elaborate window tracery. You can also see this quality in the internal fixtures such as the piscina in the chapel, where the vessels used at Mass were ritually cleansed.

As with the north choir aisle, alterations were made after the Reformation. The most obvious of these was the addition of a clock turret above the stair tower.