The Villa Forni Cerato is a 16th-century villa in Montecchio Precalcino. Its design is attributed to Andrea Palladio and his client is assumed to have been Girolamo Forni, a wealthy wood merchant who supplied building material for a number of the Palladio's projects. The attribution to Palladio is partly on stylistic grounds, although this is a complicated issue - the building departs from the Palladian norms.
The villa was probably built in the 1540s modifying an existing building on the site. The double name Forni-Cerato, which it is always given, dates back to 1610. Both its attribution to Palladio and the assumption that Girolamo Forni had it built remain a matter of speculation. The first reference to the architect being Palladio is in the 18th century. However, modern research agrees almost unanimously with their opinion.
The body of the building has not undergone any significant changes with the exception of the back, which had a serliana, which was replaced by a balcony. The outline of the rear serliana is still visible.
Today, the only authentic sculptural decoration appears to be a mask over the round arch of the entrance serliana which is attributed to Alessandro Vittoria.
In 1996 UNESCO included the building in the World Heritage Site 'City of Vicenza and the Palladian Villas of the Veneto'. The villa is in a poor state of conservation.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.