Villa Trissino was mainly built in the 16th century and is associated by tradition with the architect Andrea Palladio. The building is of undeniable importance in the Palladio 'mythos'. Since 1994 the villa has been part of a World Heritage Site which was designated to protect the Palladian buildings of Vicenza and Veneto area.
It is uncertain whether this villa was designed by Palladio, but it is one of the centres if not, in fact, the origin of his myth. For, tradition holds that right here, in the second half of the 1530s, the Vicentine noble Giangiorgio Trissino (1478–1550) met the young mason Andrea di Pietro at work on the building of his villa. Somehow intuiting the youth’s potential and talent, Trissino took charge of his future formation, introduced him into the Vicentine aristocracy and, in the space of a few years, transformed him into the architect who bore the aulic name of Palladio.
Trissino did not demolish the pre-existing building, but redesigned it to give priority to the principal facade facing south. This gesture was a sort of manifesto of membership in the new constructional culture based on the rediscovery of ancient Roman architecture. Between the two existing towers Trissino inserted a two-storey, arcaded loggia. Trissino reorganised the spaces into a sequence of lateral rooms, which differ in dimensions but are linked by a system of inter-related proportions, a matrix which would become a key theme in Palladio’s design method.
Building works were certainly concluded by 1538. At the end of the eighteenth century the Vicentine architect Ottone Calderari heavily modified the structure, and in the first years of the twentieth century a second campaign of works cancelled out the last traces of the Gothic building by accomplishing its belated “Palladianisation”.
References:The Gravensteen is a castle in Ghent originating from the Middle Ages. The name means 'castle of the counts' in Dutch. Arnulf I (918–965), Count of Flanders, was the first to fortify this place, building a medieval bastion on this high sand dune, naturally protected by the river Leie and its marshy banks. This bastion consisted of a central wooden building and several surrounding buildings, also in wood.
In the early 11th century, the wooden building was replaced by a stone residence, consisting of three large halls that made up three storeys, connected by a stone stairwell. The monumental stone staircase, the light openings, the fireplaces built into the walls and the latrines were signs of considerable luxury and comfort in those days. There was probably also a tower.