Top historic sites in Milan
Milan Cathedral
Milan Cathedral (Duomo di Milano) is the third largest church in the world and it took nearly six centuries to complete. History Saint Ambrose built a new basilica on this site at the beginning of the 5th century, with an adjoining basilica added in 836. When fire damaged both buildings in 1075, they were rebuilt as the Duomo. In 1386, Archbishop Antonio da Saluzzo began construction of the cathedral. In 1389, a ...Galleria Vittorio Emanuele II
The Galleria Vittorio Emanuele II is Italy"s oldest active shopping mall and a major landmark of Milan. Housed within a four-story double arcade in the center of town, the Galleria is named after Victor Emmanuel II, the first king of the Kingdom of Italy. It was designed in 1861 and built by architect Giuseppe Mengoni between 1865 and 1877. The structure consists of two glass-vaulted arcades intersecting ...Royal Palace of Milan
The Royal Palace of Milan (Palazzo Reale di Milano) was the seat of government of the city for centuries. Today it serves as a cultural centre and home to expositions and exhibitions. Originally designed with a structure of two courtyards, the palace was then partially demolished to make room for the Duomo. The palace is located to the right of the facade of the cathedral opposite the Galleria Vittorio Emanuele II. T ...Sforza Castle
Sforza Castle was built in the 15th century by Francesco Sforza, Duke of Milan, on the remnants of a 14th-century fortification. Later renovated and enlarged, in the 16th and 17th centuries it was one of the largest citadels in Europe. Extensively rebuilt by Luca Beltrami in 1891–1905, it now houses several of the city"s museums and art collections. History The original construction was ordered by local lord ...La Scala
La Scala (official name Teatro alla Scala) in Milan is one of the most famous opera houses in the world. The theatre was inaugurated on 3 August 1778. Most of Italy"s greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres in the world and is home to the La Scala Theatre Chorus, La Scala T ...Pinacoteca di Brera
The Pinacoteca di Brera is the main public gallery for paintings in Milan. It contains one of the foremost collections of Italian paintings. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the Braidense National Library foun ...Basilica of San Lorenzo
The Basilica of San Lorenzo Maggiore was originally built in Roman times and is one of the oldest churches in Milan. The basilica was built between the late fourth and early fifth centuries. The exact date is uncertain, as are the name of who commissioned it and the circumstances of its foundation. What is certain is that at the time of its construction the basilica was the largest, centrally planned building in the Wes ...Colonne di San Lorenzo
The Colonne di San Lorenzo or Columns of San Lorenzo is a group of ancient Roman ruins, located in front of the Basilica of San Lorenzo in central Milan. The colonnade, consisting mainly of 16 tall Corinthian columns in a row, now fronts an open square. In the 4th century, the columns were moved here, after removal from a likely 2nd century pagan temple or public bath house structure. South of the columns, on ...Basilica of Sant'Ambrogio
One of the most ancient churches in Milan, Basilica of Sant"Ambrogio was built by St. Ambrose in 379–386, in an area where numerous martyrs of the Roman persecutions had been buried. The first name of the church was in fact Basilica Martyrum. In the centuries after its construction, the edifice underwent several restorations and partial reconstructions, assuming the current appearance in the 12th Century, when ...Santa Maria delle Grazie
Santa Maria delle grazie ('Holy Mary of Grace') is a church and Dominican convent in Milan, included in the UNESCO World Heritage sites list. The church contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory of the convent. The refectory of the Convent of Santa Maria delle Grazie in Milan forms an integral part of this architectural complex, begun in 1463 and reworke ...Porta Sempione
Porta Sempione is a city gate of Milan. The gate is marked by a landmark triumphal arch called Arco della Pace ('Arch of Peace'), dating back to the 19th century, although its origins can be traced back to a gate of the Roman walls of Milan. A gate that roughly corresponds to modern Porta Sempione was already part of Roman walls of Milan. At the time, the gate was meant to control an important road leading to wh ...Biblioteca Ambrosiana
The Biblioteca Ambrosiana is a historic library in Milan, also housing the Pinacoteca Ambrosiana, the Ambrosian art gallery. Named after Ambrose, the patron saint of Milan, it was founded in 1609 by Cardinal Federico Borromeo, whose agents scoured Western Europe and even Greece and Syria for books and manuscripts. Some major acquisitions of complete libraries were the manuscripts of the Benedictine monastery ...Basilica of Sant'Eustorgio
The Basilica of Sant"Eustorgio was for centuries an important stop for pilgrims on their journey to Rome or to the Holy Land, because it was said to contain the tomb of the Biblical Magi or Three Kings. Probably founded in the 4th century, its name refers to Eustorgius I, the bishop of Milan to whom is attributed the translation of the supposed relics of the Magi to the city from Constantinople in 34 ...Cimitero Monumentale di Milano
The Cimitero Monumentale is one of the two largest cemeteries in Milan, the other one being the Cimitero Maggiore. It is noted for the abundance of artistic tombs and monuments. Designed by the architect Carlo Maciachini (1818–1899), it was planned to consolidate a number of small cemeteries that used to be scattered around the city into a single location. Officially opened in 1866, it has since then been filled ...Basilica of San Simpliciano
The Basilica of San Simpliciano is the second oldest church in the form of a Latin cross, first erected by Saint Ambrose. It is dedicated to Saint Simplician, bishop of Milan. The site of the present church was occupied in the 3rd century AD by a pagan cemetery. There St. Ambrose began the construction of the Basilica Virginum ('Basilica of the Virgins'), which was finished by his successor Simplicianus ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Charlottenburg Palace
Charlottenburg Palace is the largest palace in Berlin and the only surviving royal residence in the city dating back to the time of the Hohenzollern family. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. The inauguration of the palace was celebrated on 11 July 1699, Frederick's 42nd birthday.
Friedrich crowned himself as King Friedrich I in Prussia in 1701 (Friedrich II, known as Frederick the Great, would later achieve the title King of Prussia). Two years previously, he had appointed Johann Friedrich von Eosander (also known as Eosander von Göthe) as the royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702, Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. In the following years, the Orangery was built on the west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome is a wind vane in the form of a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to overwinter rare plants. During the summer months, when over 500 orange, citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.
Inside the palace, was a room described as 'the eighth wonder of the world', the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schlüter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716.
When Friedrich I died in 1713, he was succeeded by his son, Friedrich Wilhelm I whose building plans were less ambitious, although he did ensure that the building was properly maintained. Building was resumed after his son Friedrich II (Frederick the Great) came to the throne in 1740. During that year, stables for his personal guard regiment were completed to the south of the Orangery wing and work was started on the east wing. The building of the new wing was supervised by Georg Wenzeslaus von Knobelsdorff, the Superintendent of all the Royal Palaces, who largely followed Eosander's design. The decoration of the exterior was relatively simple but the interior furnishings were lavish. The ground floor was intended for Frederick's wife Elisabeth Christine, who, preferring Schönhausen Palace, was only an occasional visitor. The decoration of the upper floor, which included the White Hall, the Banqueting Hall, the Throne Room and the Golden Gallery, was lavish and was designed mainly by Johann August Nahl. In 1747, a second apartment for the king was prepared in the distant eastern part of the wing. During this time, Sanssouci was being built at Potsdam and once this was completed Frederick was only an occasional visitor to Charlottenburg.
In 1786, Frederick was succeeded by his nephew Friedrich Wilhelm II who transformed five rooms on the ground floor of the east wing into his summer quarters and part of the upper floor into Winter Chambers, although he did not live long enough to use them. His son, Friedrich Wilhelm III came to the throne in 1797 and reigned with his wife, Queen Luise for 43 years. They spent much of this time living in the east wing of Charlottenburg. Their eldest son, Friedrich Wilhelm IV, who reigned from 1840 to 1861, lived in the upper storey of the central palace building. After Friedrich Wilhelm IV died, the only other royal resident of the palace was Friedrich III who reigned for 99 days in 1888.
The palace was badly damaged in 1943 during the Second World War. In 1951, the war-damaged Stadtschloss in East Berlin was demolished and, as the damage to Charlottenburg was at least as serious, it was feared that it would also be demolished. However, following the efforts of Margarete Kühn, the Director of the State Palaces and Gardens, it was rebuilt to its former condition, with gigantic modern ceiling paintings by Hann Trier.
The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by André Le Nôtre, designer of the gardens at Versailles. Godeau's design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century, a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenné. After the Second World War, the centre of the garden was restored to its previous baroque style.