Top historic sites in Milan
Sforza Castle
Sforza Castle was built in the 15th century by Francesco Sforza, Duke of Milan, on the remnants of a 14th-century fortification. Later renovated and enlarged, in the 16th and 17th centuries it was one of the largest citadels in Europe. Extensively rebuilt by Luca Beltrami in 1891–1905, it now houses several of the city"s museums and art collections. History The original construction was ordered by local lord ...Milan Cathedral
Milan Cathedral (Duomo di Milano) is the third largest church in the world and it took nearly six centuries to complete. History Saint Ambrose built a new basilica on this site at the beginning of the 5th century, with an adjoining basilica added in 836. When fire damaged both buildings in 1075, they were rebuilt as the Duomo. In 1386, Archbishop Antonio da Saluzzo began construction of the cathedral. In 1389, a ...Basilica of Sant'Ambrogio
One of the most ancient churches in Milan, Basilica of Sant"Ambrogio was built by St. Ambrose in 379–386, in an area where numerous martyrs of the Roman persecutions had been buried. The first name of the church was in fact Basilica Martyrum. In the centuries after its construction, the edifice underwent several restorations and partial reconstructions, assuming the current appearance in the 12th Century, when ...Santa Maria delle Grazie
Santa Maria delle grazie ('Holy Mary of Grace') is a church and Dominican convent in Milan, included in the UNESCO World Heritage sites list. The church contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory of the convent. The refectory of the Convent of Santa Maria delle Grazie in Milan forms an integral part of this architectural complex, begun in 1463 and reworke ...Basilica of San Lorenzo
The Basilica of San Lorenzo Maggiore was originally built in Roman times and is one of the oldest churches in Milan. The basilica was built between the late fourth and early fifth centuries. The exact date is uncertain, as are the name of who commissioned it and the circumstances of its foundation. What is certain is that at the time of its construction the basilica was the largest, centrally planned building in the Wes ...La Scala
La Scala (official name Teatro alla Scala) in Milan is one of the most famous opera houses in the world. The theatre was inaugurated on 3 August 1778. Most of Italy"s greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres in the world and is home to the La Scala Theatre Chorus, La Scala T ...Galleria Vittorio Emanuele II
The Galleria Vittorio Emanuele II is Italy"s oldest active shopping mall and a major landmark of Milan. Housed within a four-story double arcade in the center of town, the Galleria is named after Victor Emmanuel II, the first king of the Kingdom of Italy. It was designed in 1861 and built by architect Giuseppe Mengoni between 1865 and 1877. The structure consists of two glass-vaulted arcades intersecting ...Colonne di San Lorenzo
The Colonne di San Lorenzo or Columns of San Lorenzo is a group of ancient Roman ruins, located in front of the Basilica of San Lorenzo in central Milan. The colonnade, consisting mainly of 16 tall Corinthian columns in a row, now fronts an open square. In the 4th century, the columns were moved here, after removal from a likely 2nd century pagan temple or public bath house structure. South of the columns, on ...Royal Palace of Milan
The Royal Palace of Milan (Palazzo Reale di Milano) was the seat of government of the city for centuries. Today it serves as a cultural centre and home to expositions and exhibitions. Originally designed with a structure of two courtyards, the palace was then partially demolished to make room for the Duomo. The palace is located to the right of the facade of the cathedral opposite the Galleria Vittorio Emanuele II. T ...Pinacoteca di Brera
The Pinacoteca di Brera is the main public gallery for paintings in Milan. It contains one of the foremost collections of Italian paintings. The convent on the site passed to the Jesuits (1572), then underwent a radical rebuilding by Francesco Maria Richini (1627–28). When the Jesuits were disbanded in 1773, the palazzo remained the seat of the astronomical Observatory and the Braidense National Library foun ...Basilica of Sant'Eustorgio
The Basilica of Sant"Eustorgio was for centuries an important stop for pilgrims on their journey to Rome or to the Holy Land, because it was said to contain the tomb of the Biblical Magi or Three Kings. Probably founded in the 4th century, its name refers to Eustorgius I, the bishop of Milan to whom is attributed the translation of the supposed relics of the Magi to the city from Constantinople in 34 ...Basilica of San Simpliciano
The Basilica of San Simpliciano is the second oldest church in the form of a Latin cross, first erected by Saint Ambrose. It is dedicated to Saint Simplician, bishop of Milan. The site of the present church was occupied in the 3rd century AD by a pagan cemetery. There St. Ambrose began the construction of the Basilica Virginum ('Basilica of the Virgins'), which was finished by his successor Simplicianus ...Cimitero Monumentale di Milano
The Cimitero Monumentale is one of the two largest cemeteries in Milan, the other one being the Cimitero Maggiore. It is noted for the abundance of artistic tombs and monuments. Designed by the architect Carlo Maciachini (1818–1899), it was planned to consolidate a number of small cemeteries that used to be scattered around the city into a single location. Officially opened in 1866, it has since then been filled ...Porta Sempione
Porta Sempione is a city gate of Milan. The gate is marked by a landmark triumphal arch called Arco della Pace ('Arch of Peace'), dating back to the 19th century, although its origins can be traced back to a gate of the Roman walls of Milan. A gate that roughly corresponds to modern Porta Sempione was already part of Roman walls of Milan. At the time, the gate was meant to control an important road lea ...Biblioteca Ambrosiana
The Biblioteca Ambrosiana is a historic library in Milan, also housing the Pinacoteca Ambrosiana, the Ambrosian art gallery. Named after Ambrose, the patron saint of Milan, it was founded in 1609 by Cardinal Federico Borromeo, whose agents scoured Western Europe and even Greece and Syria for books and manuscripts. Some major acquisitions of complete libraries were the manuscripts of the Benedictine monastery ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Barnenez Cairn
The Cairn of Barnenez is the largest Megalithic mausoleum in Europe. It dates from the early Neolithic Age is considered one of the earliest megalithic monuments in Europe. It is also remarkable for the presence of megalithic art. Radiocarbon dates indicate that the first phase of the monument was erected between 4850 and 4250 BC, and the second phase between 4450 and 4000 BC. Pottery found in and around the monument indicates that it underwent a period of reuse in the Bronze Age, in the 3rd millennium BC.
The cairn was first mapped in 1807, in the context of the Napoleonic cadaster. Its first scientific recognition took place in the context of an academic congress in Morlaix in 1850, when it was classified as a tumulus. Privately owned until the 1950s, the cairn was used as a quarry for paving stones. This activity, which threatened to destroy the monument, was only halted after the discovery of several of its chambers in the 1950s. The local community then took control of the site. The cairn was restored between 1954 and 1968. At the same time, vegetation was removed from the mound and systematic excavation took place in and around the monument.
Today, the Barnenez cairn is 72 m long, up to 25 m wide and over 8 m high. It is built of 13,000 to 14,000 tons of stone. It contains 11 chambers entered by separate passages. The mound has steep facades and a stepped profile. Several internal walls either represent earlier facades or served the stability of the structure. The cairn consists of relatively small blocks of stone, with only the chambers being truly megalithic in character. The monument overlooks the Bay of Morlaix, probably a fertile coastal plain at the time of its erection.
Engraved symbols occur in several of the chambers and passages. They depict bows, axes, wave symbols or snakes and a repeated U-shaped sign. One of the carved slabs is in secondary use was originally part of a different structure, an interesting parallel to the situation in several other such monuments, including Gavrinis. The symbols on the engraved blocks resemble those found in other megalithic monuments in Brittany; in broader terms they belong to the cultural phenomenon described as megalithic art. One of the recurring symbols is sometimes interpreted as an anthropomorphic depiction (the so-called \'Dolmen Goddess\').
An exhibition in the modern entrance building explains the results of scientific excavation and displays some objects from the site.