Basilica of Sant'Ambrogio

Milan, Italy

One of the most ancient churches in Milan, Basilica of Sant'Ambrogio was built by St. Ambrose in 379–386, in an area where numerous martyrs of the Roman persecutions had been buried. The first name of the church was in fact Basilica Martyrum.

In the centuries after its construction, the edifice underwent several restorations and partial reconstructions, assuming the current appearance in the 12th Century, when it was rebuilt in the Romanesque style. The current church was begun around 1080. The nave dates to about 1128 and the rib vaults of the nave are from about 1140.

Initially, the basilica was outside the city of Milan, but over the following centuries, the city grew up around it. It became a center of religious life and a community of canons developed in the church. In 789, a monastery was established within the basilica grounds. The canons, however, retained their own community and identity instead of fading away. Two, separate, distinct religious communities shared the basilica. In the 11th century, the canons adopted orders and became Canons Regular. There were now two separate monastic orders following different rules living in the basilica. The canons were in the northern building, the cloister of the canons, while the monks were in the two southern buildings.

The two towers symbolize the division in the basilica. The 9th century Torre dei Monaci ('Tower of the Monks') tower was used by the monks to call the faithful to the monks' mass. The monks supported themselves, partly, from the offerings given after mass. However, the canons did not have a bell tower and were not allowed to ring bells until they finished their own tower in the 12th Century.

The monastery and church became a large landholder in northern Italy and into what is now the Swiss Canton of Ticino. On 4 August 1528 it was the so-called 'Peace of St. Ambrose', between the noble and popular factions of the city, was signed here. In 1492 the Benedictines commissioned Donato Bramante, structural architect of St. Peter's Basilica, to renovate the new rectory.

In August 1943 the Allied bombings heavily damaged the basilica, in particular the apse and surrounding area. As a result of this a new building, painted in pink, was constructed to house the Abbot's offices and the museum.

Interior

The basilica has a semi-circular apse, and smaller, semi-circular chapels at the end of the aisles; there is no transept. The interior has the same size as the external portico.

Under the dome cladding, in the last span of the nave, is the presbytery with, in its centre, the high altar. This was realized in 824–859 by Volvinius. It features a golden antependium with precious stones on both sides. The altar is surmounted by a contemporary ciborium, commissioned by archbishop of Milan Angilbert II.

The apse displays an early 13th-century mosaic. It was heavily restored after damage during the Second World War II. The oratory of San Vittore in Ciel d'Oro, built in the 4th by bishop Maternus, houses mosaics on the walls and in the ceiling (5th century). These include one of the earliest portrait of St Ambrose.

The church also houses the tomb of Emperor Louis II, who died in Lombardy in 875. The crypt, located under the high altar, was built in the 9th century to house the remains of three saints venerated here: Ambrose, Gervasus and Protasus. The remains of the saints were already in a crypt in the area, although their position went lost with the centuries. In the 9th century bishop Angilbert found them and had them put in a single porphyry sarcophagus. The current appearance of the crypt dates from the 18th century restoration commissioned by cardinal Benedetto Erba Odescalchi and to others from the following century, in which the bodies of the three saints were moved to a silver urn in a space under the ciborium.

References:

Comments

Your name



Details

Founded: c. 1080 AD
Category: Religious sites in Italy

Rating

4.7/5 (based on Google user reviews)

User Reviews

Nicoletta R (5 months ago)
So peaceful. So beautiful
Tommy Kurauchi (6 months ago)
When I visited Milan, I had only one full day in the city. I spent the morning at the Monumental Cemetery and then visited the Basilica of Sant'Ambrogio [Basilica of St. Ambrose in Milan]. As an hagiographer, this was an especially thrilling pilgrimage to a church just brimming with holy sites. Beneath the altar in the crypt are the skeletal remains of the basilica's namesake flanked by SS Geruase & Protase (patrons of hay makers), whose relics were discovered by the Bishop the repose with. There are chapels with reliquaries of to St. Ambrose's sister and brother, SS Marcellina and Satyrus of Milan, and a side altar and reliquary of St. Savina. There is a trompe l'oeil rendering of the flayed St. Bartholomew with his skin over his shoulder. A statue of Blessed (Pope) Pius IX next to a pillar among the pews. In addition, a funerary inscription of Archbishop Anspertus of Milan who in January 876 participated coronation of Charles the Bald in Pavia, subsequently excommunicated over a disagreement with Pope John Viii after the death of Charles the Bald over a successor, reconciled with the pope at coronation of Charles the Fat as King of Italy (6 January 880) at Ravenna. ... and much more.
Kauri Maher (7 months ago)
Definitely a must see in milan,,, i went once and I would like to go back a second time to see everything. :) Highly recommended.
Caterina de fabritiis (11 months ago)
Fantastic romanic church. Must visit. Great spiritual location
Caterina de fabritiis (11 months ago)
Fantastic romanic church. Must visit. Great spiritual location
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Holy Trinity Column

The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.

The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.

The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.

Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.

In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.

The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.