Maruševec castle dates back to 1547. In the 19th century it was described as having a square, lowland fortress with entrenchments, four circular towers and one square one, entered across a wooden bridge.
In 1618 Baltazar Vragović of the noble family Vragović, (entitled in 1351 by King Ljudevit I), restored and enlarged the castle. This is recorded in the inscription and family arms on the first floor of the western wall of the old castle. The Vragović family had obtained and occupied the castle and from 1514 had the right to pronounce the death sentence on serfs. In 1716 they were given a baronetcy but the last member of the family, Franjo Adam, had no male heir and nominated Krsto črnkovački, then Deputy Ban and captain of the Ban's bodyguard, to be his successor. However, upon his death a year later in fighting against the Turks on the Zrin, Maruševec Castle was owned by a succession of noble families from the Pasztory family, the Kanotay family to the Patačić family.
The Patačićes remained im possession until 1817 no heir was apparent. Throughout the mid 19th century, again the castle was under numerous hands, until it was bought in 1873 from Baron Simbschen by the Prussian Count Arthur Schlippenbach whose wife, Luisa, was from the Drache de Wartenberg family. He enlarged the castle as it stands today and refurbished it with decor of the period in 1877. In 1881, Count Schlippenbach died in Cairo.
In 1883 Maruševec and Čalinec Castle were purchased by Oskar de Pongratz. The Pongratz noble family reconstructed the garden upon the plans of the Swedish architect Carl Gustav Swensson, and made some minor alterations to the building in 1901 such as tapestries on the staircases illustrating hunting scenes, the work of Monnaccelli from Rome. Pongratz also placed a new entrance door in the south wall above which are the Pongratz arms, and built new steps, which stand today. The castle was owned by the Pongratz noble family until 1945. That year the Independent State of Croatia was defeated, resulting in the establishment of communist-run Yugoslavia which confiscated most of the former Austro-Hungarian Croatian nobility's property. As part of this, Maruševec was nationalized and the Pongratz's emigrated to Graz, Austria.
In the 2000s, the government of Croatia began the process of returning the property to the heir of the Pongratz family, count Oskar Pontgratz. It is now in their ownership.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.