Once the largest city-fortress in the entire Republic of Venice, Zadar’s walls allowed it to retain more of its independence than most of its neighbouring cities, and meant that it was never captured by the Turks.
The most impressive gate of the walls was Land Gate - then the main entrance into the city - in the little Foša harbour, built by a Venetian architect Michele Sanmicheli in 1543. It is considered one of the finest monuments of the Renaissance in Dalmatia, and has the form of a triumphal arch with a central passage for wheeled traffic, and two smaller side arches for pedestrians. It is decorated with motifs such as St. Chrysogonus (Zadar’s main patron saint) on his horse, and the Shield of St. Mark (the coat of arms of the Republic of Venice). Previously, the area had been highly defensive, with a surrounding moat.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.