Saint Mary's Cathedral in Lugo was erected in the early 12th century in a Romanesque style, with Gothic, Baroque and Neoclassicist elements.
A church existed in the site from 755. In 1129 Bishop Peter III commissioned a new edifice in the latest architectural style from Raimundo, a local architect and builder. This Romanesque structure was completed in 1273.
Later renovations and restorations added elements in other styles, such as the Renaissance retablo at the high altar. It was destroyed in the 1755 Lisbon earthquake and fragments of it are housed in the church.
The cathedral has a Latin Cross structure, with a length of 85 m. It has a nave, covered by a barrel vault, and two aisles, with an ambulatory and five apse chapels. The triforium features triple ogival mullioned windows. The apse houses a calvary sculpture from an unknown date.
The façade is a Renaissance design by Julián Sánchez Bort inspired by a plan proposed by Ventura Rodríguez for the Cathedral of Pamplona. Its construction was finished in the late 19th century, with the completion of the two side towers.
The northern entrance's narthex is in Gothic style, dating to 1510-1530. Internally showing a starred vault, it is formed by three archivolts with a lintel showing Christ Pantocrator and with a pinjante (glove-shaped decorative pendant) that features a depiction of the Last Supper.
To the right of the entrance is the Gothic Torre Vella (bell tower), surmounted by a Renaissance top floor finished by Gaspar de Arce in 1580. The sacristy (1678) and the cloister (1714) are in the Baroque style, as is the central chapel of the triforium (1726). The chapel of St. Froilán is in Renaissance style, dating to the 17th century. Notable is the choir, built by Francisco de Moure (early 17th century).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.