The Benedictine Monastery of San Nicolò l'Arena in Catania, Sicily, is one of the largest monasteries in Europe and the second biggest Benedictine monastery in Europe. The monastery was founded in 1558 and today it hosts the Department of Humanities of the University of Catania.
The monastery complex is located in the historical centre of the city of Catania, with the church of San Nicolò l'Arena. It shows architectonical integration of many styles through different centuries. Although the monastery was founded in the 16th century, it was modified by two natural disasters in the 17th century. In 1669 the 1669 Etna eruption surrounded the city of Catania, widening the coast for more than 1 km, and the monastery too. So the monastery was not destroyed by the lava but the area around was completely modified by a lava bench 12 meters high.
In 1693 the earthquake of Val di Noto destroyed the entire east coast of Sicily and Catania. The monastery was terribly damaged and the only floor that survived was the basement.
In 1702 the rebuilding started and lasted until 1866 (when the new Reign of Italy confiscated the monastery). The original monastery was rebuilt on the top of the latter, and they added a new cloister (the eastern cloister) and a new area (the large part designed by Giovanni Battista Vaccarini) on the top of the lava bench.
In 1977 the monastery was donated to the University of Catania, which restored the entire structure; in 1984 Giancarlo De Carlo started to design the entire restoration work.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.