The Teatro Massimo Bellini is an opera house in Catania. Named after the local-born composer Vincenzo Bellini, it was inaugurated in 1890 with a performance of the composer's masterwork, Norma.
The exterior of the house matches the distinctive Sicilian Baroque style of the neighboring buildings of the late 17th Century. Its marble foyer, the “Ridotto”, is ornate and stuccoed, and a statue of Bellini is located between the central arches. The beautiful red-plush interior includes the main floor seating and four tiers of boxes. Surrounding them, on the upper level, are unusual arched arcades. The painted ceiling by Ernesto Bellandi depicts scenes from four of Bellini's most well-known operas.
Throughout its history, the opera house has performed almost all of Bellini's work. From its beginnings, a wide variety of operas have been performed by some highly renowned singers. In 1951, to mark the 150th anniversary of the birth of Bellini, Maria Callas sang Norma, repeating her success in 1952 and 1953.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.