Palazzo Biscari was built by will of the Paternò Castello family, the princes of Biscari, starting from the late 17th century, lasting for much of the following century, after the devastations of the 1693 earthquake. The new palace was built directly against the city walls (Charles V's walls), which had partially withstood the earthquake.
The oldest section was built under Ignazio, third prince of Biscari, who entrusted the project to architect Alonzo Di Benedetto. Ignazio's son, Vincenzo, commissioned the decoration of the seven large windows facing the seaside, by the Messinese sculptor Antonino Amato. Later the palace was modified under the fourth Prince, Ignazio Paternò Castello, who had it enlarged eastwards under design by Giuseppe Palazzotto and, later, by Francesco Battaglia. The building was finished in 1763 and inaugurated with big celebrations.
The palace is accessed through a large portal facing via Museo Biscari, leading to the inner courtyard, which features a large double staircase. In the interior is the 'Feasts Hall', in Roccoco style, with a complex decoration of mirrors, stuccoes and frescos painted by Matteo Desiderato and Sebastiano Lo Monaco. The small dome, destined to the orchestra, has a fresco depicting the glories of the Paternò Castello di Biscari family. It is accessed through a staircase decorated in stucco within the gallery facing the sea.
Among the other rooms are the Fief Room, featuring large canvasses of the Biscari feudataries, the Princess Apartments (built by Ignazio V of Biscari for his wife, with pavements of ancient Roman marbles), the Birds Gallery and the Don Quixote Room. There is also a museum, once housing the collection of Ignazio V, most of the material of which is now in the Castello Ursino in Catania.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.