Interesting Sites Nearby
User Reviews
Finavon estate was the property of the Lindsay Earls of Crawford from 1375, who built the now-ruined castle. David Lindsay, 10th Earl of Crawford, married Margaret, the daughter of Cardinal David Beaton, at Finavon in 1546.
Extravagance ruined the Crawford fortunes, and in 1625 the barony of Finavon was disposed of by a forced sale to Alexander Lindsay, 2nd Lord Spynie. It passed through the Carnegie family, the Gordon Earls of Aboyne and the Gardynes.
In 1843 the Castle was bought by Thomas Gardyne of Middleton. Through an 18th-century marriage he came of the old Lindsay stock. His descendant, Lieutenant-Colonel Alan David Greenhill Gardyne died in 1953, leaving the estate to a daughter, Mrs Susan Mazur.
The castle was an L-plan tower-house of five storeys, with a garret and a courtyard. The tower visible today dates from about 1600. Excavations have revealed that the tower is an adjunct tacked onto the north-east corner of a much older, more extensive structure.
The house is a Scottish baronial style mansion built in 1865 for the then laird, David Greenhill Gardyne, by Messrs Carver and Symon of Arbroath.
The nearby Finavon Doocot is Scotland's largest dovecot, with 2400 nesting boxes. It is believed to have been built for the Earl of Crawford in the 16th Century and is now maintained by the National Trust for Scotland.
On Finavon Hill, above the castle there is a vitrified Iron Age hillfort dating from the mid-1st millennium BCE.
References:The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.