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Paulo Cesar (2 years ago)
The city center is very beautiful.
The city center is very beautiful.
The Fountain of Campo das Hortas is an example of the model of fountain seeded throughout the 16th and 17th century Portugal, which was first promoted in 1554 by João Lopes o Velho in Viana do Castelo.
On 8 March 1594, a contract was issued, by Archbishop Agostinho de Jesus for the Archdiocese of Braga, to master-mason Manuel Luis to construct a fountain in the Campo de Santa Ana. There was no indication if the project was completed within the year or pre-defined time. By the 19th century, the fountain was relocated to the Campo das Hortas.
The fountain is implanted in a harmonious location, isolated in the centre of garden space fronting the Arco da Porta Nova. Built on an octagonal base, it consists of alternating four-steps divided by green-space, with a circular tank at the top of the staircase. The circular tank is marked by a column with bowl, decorated in grotesque animals ordered by six spouts, which is repeated in the smaller bowl. From the second segment the column is decorated by three sections: the first with six figures at the spouts, the second with the coat-of-arms of Archbishop D. Baltasar Limpo, and the third a cylindrical body decorated with four rounded spirals. The top of the spire is decorated with an armillary sphere and cross in metal.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.