La Trinità della Cava, commonly known as Badia di Cava, is a Benedictine territorial abbey located near Cava de' Tirreni, in the province of Salerno, southern Italy. It stands in a gorge of the Finestre Hills.
It was founded in 1011 by Alferius of Pappacarbone, a noble of Salerno who became a Cluniac monk and had lived as a hermit in the vicinity since 1011. Pope Urban II endowed this monastery with many privileges, making it immediately subject to the Holy See, with jurisdiction over the surrounding territory.
In 1394, Pope Boniface IX elevated it to a diocese, with the abbots functioning as bishops. In 1513, Pope Leo X separated the two offices, detaching the city of Cava from the abbot's jurisdiction. About the same time the Cluniacs were replaced by Cassinese monks.
The monastery was closed under Napoleon but the community remained relatively unscathed, thanks to Abbot Carlo Mazzacane, and was restored after his fall. The abbey still provides the surrounding parishes with clergy.
The church and the greater part of the buildings were entirely modernized in 1796. The old Gothic cloisters are preserved. The church contains a fine organ and several ancient sarcophagi.
The church of the monastery has the tombs of Queen Sibylla of Burgundy (died 1150), second consort of King Roger II of Sicily, and a number of notable ecclesiastics.
The monastery contains the Biblioteca statale del Monumento Nazionale Badia di Cava with its rich archives of public and private documents, which date back to the 8th century, e.g., the Codex Legum Longobardorum of 1004 (the oldest digest of Lombard law), and the La Cava Bible and fine incunabula. The monastery later became the seat of a national educational establishment, under the care of the Benedictines.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.