Landskrona Citadel was initially built 1549–1559 as a purely defensive fortification with two complete moats, the inner with a width of 70 metres. The outer (complete) moat is between 40 and 70 metres wide, and has cross fire bastions for artillery and guns. Outside the outer moat, a third narrower moat covers the northwest and northeast. There also exist remains of a fourth moat (between the two outer moats). The fortifications and moats system surrounding the castle is known to be one of Europe's largest and best preserved. In the area between the outer and far outer moat resides the oldest area of allotment-garden cottages of Sweden.
Landskrona was captured in 1644 by forces led by Gustav Horn, but returned to Danish possession the year after. It became Swedish again in 1658 as a result of the Treaty of Roskilde. Between 1667 and 1675, the citadel was expanded with extensive bastions. Thus on 2 August 1676, during a new war between Sweden and Denmark, the commandant Hieronymus Lindeberg surrendered himself and the castle to a Danish army unit. Until peace was restored in 1679, the castle was used as a center of command by the Scanian voluntary army corps ("Friskydter" in Danish-Scanian history, "Snapphanar" in Swedish) which fought together with the regular Danish army against the Swedish occupiers. Lindeberg survived the Danes but were later executed on order of Swedish king Charles IX. In the middle of the 18th century, the local military commander feared (quite suddenly) that the 15th century church Johannes Babtistæ Kyrka ("John the Baptist church"), which at the time was the second largest in Scania, must be destroyed. The reason was a fear for enemy cannons in the church tower. The whole church was demolished and a new one, Sofia Albertina, was built some decades later.
The castle was used as a women's prison from the late 19th century and some decades later. Today the castle is both a kind of museum (guided tours only, but not expensive, daily during the summer) and can be rented for private parties.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.