Landskrona Citadel was initially built 1549–1559 as a purely defensive fortification with two complete moats, the inner with a width of 70 metres. The outer (complete) moat is between 40 and 70 metres wide, and has cross fire bastions for artillery and guns. Outside the outer moat, a third narrower moat covers the northwest and northeast. There also exist remains of a fourth moat (between the two outer moats). The fortifications and moats system surrounding the castle is known to be one of Europe's largest and best preserved. In the area between the outer and far outer moat resides the oldest area of allotment-garden cottages of Sweden.
Landskrona was captured in 1644 by forces led by Gustav Horn, but returned to Danish possession the year after. It became Swedish again in 1658 as a result of the Treaty of Roskilde. Between 1667 and 1675, the citadel was expanded with extensive bastions. Thus on 2 August 1676, during a new war between Sweden and Denmark, the commandant Hieronymus Lindeberg surrendered himself and the castle to a Danish army unit. Until peace was restored in 1679, the castle was used as a center of command by the Scanian voluntary army corps ("Friskydter" in Danish-Scanian history, "Snapphanar" in Swedish) which fought together with the regular Danish army against the Swedish occupiers. Lindeberg survived the Danes but were later executed on order of Swedish king Charles IX. In the middle of the 18th century, the local military commander feared (quite suddenly) that the 15th century church Johannes Babtistæ Kyrka ("John the Baptist church"), which at the time was the second largest in Scania, must be destroyed. The reason was a fear for enemy cannons in the church tower. The whole church was demolished and a new one, Sofia Albertina, was built some decades later.
The castle was used as a women's prison from the late 19th century and some decades later. Today the castle is both a kind of museum (guided tours only, but not expensive, daily during the summer) and can be rented for private parties.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.