St. Bridget's Church was built in the mid-1300s, initially as St. Magdalene’s Chapel, on the location of the legendary appearance of the Holiest Virgin. In 1374, the funeral procession carrying the remains of the founder of the Holiest Saviour Convent, Bridget of Sweden, which was travelling from Rome to Vadstena in Sweden, made a stop in Gda?sk. The residents of Gda?sk paid great homage to the deceased, whose sarcophagus and relics were initially laid in the Marian Church and then in the chapel of penitents, where it stayed for two weeks. This event made such a great impression on the people that it gave birth to the cult St. Bridget, maintained by the Bridgettine Convent, which settled in the city in 1386.
During the years 1396-1397, the Bridgettines built the first, single-aisle, church under the calling of St. Bridget, which was expanded until the 16th Century, when the temple was consumed by fire. The beginning of the 17th Century turned out to be very laborious to the Bridgettines, as they rebuilt the aisle of the church and provided it with Renaissance interior decoration. The final form was provided to the temple and the convent during the first half of the 18th Century.
During the war operations in 1945, the church was burned down and mostly destroyed. It was not reconstructed for a long time, and the last preserved fragments of the roof truss and one of the peaks of the south aisle burned down in 1957. The temple remained in ruins until 1970, when its reconstruction was began under the initiative of parish priest Henryk Jankowski. The renovation and furnishing work lasted until 1987, when the H. Han painting of “St. Bridget’s Apotheosis” was installed in the vestry.
Due to the activity of Lech Wa??sa’s labour union and the importance of the location to Catholics during the communist regime, St. Bridget’s Church is considered as a certain sanctuary of “Solidarity” and a monument to the difficult road to freedom, which Poland had to conquer in the 20th Century. The tragic history of post-war Poland is recalled by the sculptures from the chisels of El?bieta and Rafa? Pelpli?ski and a statue presenting the martyr’s death of priest Jerzy Popie?uszko, created by Wawrzyniec Samp.
The year 2001 saw the initiation of the work on the creation of the great amber top of the main altar in the church’s presbytery. It will reach the vault and arch over the tabernacle and the altar mensa. The area of the decoration will ultimately reach 99 m2, towering over the Amber Chamber. The monumental amber altar with a height of 11 m and a width of 6 m will be in the form of a triptych with the painting of the Mother of God of the Labour World in the central part. The church currently presents the fragments of the constructed altar and the magnificent amber monstrance created by Mariusz Drapikowski.
References:I love Gdansk for its incredible history and an amazing atmosphere. In addition there are great restaurants as Szafarnia 10. We can enjoy there incredible regional cuisine and the dishes as the cheeks of cod or fillet of duck.
Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.