The Narva Triumphal Arch was erected in the vast Narva Square (known as the Stachek Square in Soviet years), in 1814 to commemorate the Russian victory over Napoleon. The wooden structure was constructed on the Narva highway with the purpose of greeting the soldiers who were returning from abroad after their victory over Napoleon. The architect of the original Narva Arch was Giacomo Quarenghi. The program was meant to respond to theArc de Triomphe du Carrousel in Paris, originally erected to celebrate Napoleon's victory over the Allies at Austerlitz, but the material used was a weather-resistant plaster that was never intended to be permanent.
Between 1827 and 1834 Vasily Stasov redesigned and rebuilt the gate in stone. A similar gate, also by Stasov, was erected on the road leading to Moscow. A sculptor Vasily Demut-Malinovsky was responsible for the arch's sculptural decor. As has been conventional since Imperial Roman times, sculptures of Fame offering laurel wreaths fill the spandrels of the central arch. The mainentablature breaks boldly forward over paired Composite columns that flank the opening and support colossal sculptures. Nike, the Goddess of Victory surmounts the arch, in a triumphal car drawn by six horses, sculpted by Peter Clodt von Jürgensburg, instead of the traditional Quadriga.
Neither the arch nor the Russian Admiralty were protected from artillery bombardments during the Siege of Leningrad. A small military museum was opened in the upper part of the arch in 1989. At the beginning of 21st century the gate was capitally restored and according to experts, is in a fine condition as of August 2009.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.