The Catholic Church of St. Catherine is one of the oldest Catholic churches in Russia. On December 12, 1705 Peter the Great signed a charter that would allow the construction of Catholic churches in Russia. The church itself (though not the building with which it is today associated) was founded in 1710.
In 1738 Empress Anna granted permission for the church to erect a structure on Nevsky Prospekt, the main street of St. Petersburg. The project, however, met continued problems. The initial designs were based on work by Domenico Trezzini, the architect who designed the Peter and Paul Cathedral and was then deceased. His designs, however, were abandoned in 1751. In the 1760s, the French architect Jean-Baptiste Vallin de la Mothe drew designs for the church, but he returned to France in 1775 and it fell to the Italian architect Antonio Rinaldi to complete the church. On October 7, 1783, the church was completed. Because the Empress at the time was Catherine II of Russia (also known as Catherine the Great), the church was named after St. Catherine of Alexandria.
St. Catherine's is connected with many important personalities of Imperial Russia. In 1798, Stanisław August Poniatowski, the last king of Poland was buried at the church (in 1938, after 140 years in the crypt, he was returned to Poland), as was, in 1813, the French general Jean Victor Marie Moreau. One parishioner of the church was Auguste de Montferrand, who would go on to build the Saint Isaac's Cathedral. Auguste de Montferrand married in the church and later had a wake here before his wife took his coffin back to France. Even in Imperial Russia, several well-known aristocrats had accepted Catholicism.
The church was run by different monastic orders in its history. Originally run by Franciscans in 1800 Emperor Paul I turned the church over to the Jesuits. In 1815, the church was run by Dominicans, and finally in 1892, the church ceased to be governed by an order and fell under the auspices of Diocesan priests, though a Dominican community remained at the church. On the eve of the
Under the Soviets, the activities of the church were repressed. The rector of St. Catherine's Church, Monsignor Konstantin Budkevich, was shot in the Lubyanka Prison on Easter Sunday, 1923. The church, however, remained open until 1938. In 1938 the church was closed and ransacked. Artifacts, icons and books from the church's splendid library were thrown out to the street. The church was further damaged by a fire in 1947, that destroyed the internal decorations of the church and its organ.
For 30 years, the building was used only as storage space for the nearby 'Museum of History of Religion and of Atheism' located in former Our Lady of Kazan Church. In late 1970s plans were made to rebuild the church as an organ hall for the Saint Petersburg Philharmonic Orchestra. These plans were never completed, however, as the building was again ravaged by fire in 1984. Instead the government used the building as offices and apartments.
Following the collapse of the Soviet Union, the Catholic Church in Russia began to operate once more in the early 1990s. The first stage of restoration was finished by October 1992, with a temporary altar in place for worship. In October 1998 a Chapel of the Annunciation was opened. The main altar was completed and blessed in 2000. The restoration of most of the church was completed in 2003, and the central gates were opened.Restoration of the interior of the church is ongoing.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.