Jarmer's Tower (Jarmers Tårn) is an old ruined tower, once part of the Copenhagen moat. Jarmers Tower represents the remains of the original eleven towers which were once joined together as a part of the city’s medieval fortification. The tower was built in the beginning of the 16th century. The tower is named after Jaromar II of Rügen (ca. 1218-1260), Fürst of the Wends, who in 1259 had attacked and penetrated the wooden palisades which had formed the fortification surrounding Copenhagen. Jaromar acted in support of Jakob Erlandsen, Archbishop of Lund, in his conflict with Danish King Christoffer I. King Christoffer had strongly resisted the archbishop’s efforts of adjusting the legislation and juridical right of the Danish church with canonical law. After an incarceration of the Bishop, Jaromar ravaged Zeeland during 1259 and broke through Copenhagen's fortifications in the place where Jarmers Tower was later built. Wends warriors destroyed the city by burning down most of the houses and ended up by demolishing the castle of Bishop Absalon on Slotsholmen.
The tower was built of large, red monk bricks and ornamented with a reticular pattern of dark burned bricks. Between 1880-1885 the rampart area around Jarmers Tower was excavated and the moat leveled in connection with the Nordic Exhibition of 1888. Jarmers Tower was subsequently restored and preserved as a ruin. The plaza built around the excavation where Nørre Voldgade becomes H.C. Andersens Boulevard has been named Jarmers Plads.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.