Towards the end of his reign, King Frederik IV of Denmark wished for the same degree of comfort in provincial castles as he enjoyed in Copenhagen. In 1720 a contract was signed for alterations to be made to Odensegård manor. The gardener of Rosenborg Palace, J.C.Krieger, was entrusted with the work. From his studies in England and the Netherlands, he had learnt about the Dutch Baroque style.A new main wing was added to the three former wings. The upper floor housed the king's apartment to the west and the queen's to the east. Between them lay the shared dining room with adjoining audience chambers.
The rooms were organised in the same way for the crown prince's family on the ground floor. The central room on this floor was intended for the lords and ladies in waiting at the court. The new wing was built af salvaged materials from Nyborg Castle, which had been seriously damaged during the war against the Swedish.Krieger also laid our a beautiful castle garden in the classic, French style. The entire complex was completed in 1730. Despite illness, the king expressed a wish to see it. He came, saw his work - and died one early October morning, sitting in a chair in the new sleeping chambers.Today the Odense City Council uses in the castle and you can only see it from the outside.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.