Panagia Apsinthiotissa or Absinthiotissa is a Greek Orthodox monastery probably established in the 11h or 12th century as a Byzantine imperial foundation and continued to enjoy a degree of prominence in the Lusignan and Venetian periods. Leontios, the abbot in about 1222, was one of the delegates sent to report the plight of the Orthodox Church under Latin jurisdiction to the Patriarch Germanos II in the Empire of Nicaea. Neophytus, Archbishop of Cyprus, was also in Nicaea at the time, having been banished by the Latin authorities for refusing to take an oath of obedience to the Roman Pontiff. Boustronios tells us that the Queen of Cyprus worshipped at the monastery in 1486, the implication being that Panagia Apsinthiotissa was under the Roman Church. He also reports that pilgrimages were made to Apinthi and Antiphonitis on the fifteenth of August by all the people of Kyrenia. After the Ottoman conquest, the monastery became the property of the Orthodox Patriarch of Jerusalem and subordinate to the nearby Monastery of Saint Chrysostom in Koutsoventis.
The main church of the monastery appears to have been built in the 12th century and has a cross-in-square plan of the Byzantine type surmounted by a high dome. The narthex, on the west side, has simple Gothic rib vaulting and probably dates to the 15th century. Writing in 1918, George Jeffery describes the establishment as a ruin.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.