According to religious tradition, the Stavrovouni Monastery was founded by St. Helena, the mother of the Byzantine Emperor Constantine I, the Great. According to the 15th century Cypriot chronicler Leontios Makhairas, Helena was on a pilgrimage to the Holy Land when she discovered the three crosses on which Jesus and the two thieves had been crucified. She had them excavated and wanted to bring them to Constantinople, but she is said to have left one of these crosses in Cyprus during an involuntary visit caused by shipwreck. Religious history says that the Holy Cross was transferred by a miracle to the peak of a high hill overnight and that a strong light was coming out of that peak. After several unsuccessful attempts to get the Holy Cross out of that mountain, Helena decided to leave a piece there, and built a small chapel to accompany it.
The most significant relic that Stavrovouni Monastery possesses is a piece of the Holy Cross, left at the monastery by Saint Helena. There are references from several sources which report that the Holy Cross used to stand unsupported in the air. Nowadays, the remaining piece of the Cross is kept within a large silver cross. Other relics left at the monastery by Helena include the Cross of the Good Thief, a nail, and, according to some sayings, a part of the rope that had tied Jesus to on the Cross.
Stavrovouni is the earliest documented monastery on the island. The oldest written reference dates from the Byzantine period, and it proves that Stavrovouni had been an important religious centre since the 4th century. The relevant information can be found in the memoirs of a Russian traveler, Abbot Daniel, who stayed on Cyprus in 1106.
After its foundation, Stavrovouni was occupied by Orthodox monks living according to the rule of St. Basil. In its long history, Stavrovouni went through times of great poverty and hardship caused by the numerous invasions by foreigners on the island. Nowadays, the Holy Cross is no longer there and nobody knows what has happened to it. The walls, the church, the iconostasis, and the monks' cells in Stavrovouni were almost completely destroyed during a great fire in 1888. The only relic which has been preserved down to the present is a silver cross in which a minute piece of the Holy Cross is inserted, the only major reliquary which is still kept in Stavrovouni.
The records suggest that the monastery had no monks for a period roughly between the 16th and the 19th century, a time when the Turks ruled the island. At the end of the 19th century, Elder Dionysios A' moved to Stavrovouni from Mount Athos in 1889, and the monastery was in operation again. In 1890, three more Cypriot monks, again from Mount Athos, joined him at Stavrovouni: Fathers Varnavas - who would become the next Abbot - and his two brothers Kallinikos and Gregorios.
Following that, new monks entered the monastery, which grew larger and larger and soon became the spiritual center of the island of Cyprus. The monastery grew so much during the mid-19th century that it was in a position where it was able to send monks to other ruined monasteries to help their growth. For example, monks from Stavrovouni moved to the Monastery of Panagia Trooditissa in Troodos and created a new group. Other monks attempted to move to, and revive, the Monastery of Saint John the Baptist in Mesa Potamos in Limassol.
Recently, the monastery underwent a complete renovation. Its small church was restored again with frescoes and icons by the well-known painter, Fr. Kallinikos, a monk from Stavrovouni.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.