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Dalga Tatar (9 years ago)
The church of St. Euphemianos is a very small, single-dome, stone building and its interior is decorated with frescoes dating back to the 13th and 14th centuries. The inscription on the bottom of the arch indicates that the temple was dedicated by Lavrentios, monk and abbot of St. Andronikos Monastery. Technically, the Church of St. Euphemianos is a chapel, due to its diminutive size and the fact that it was not the main church of Lysi, there was no priest assigned to it, and services were only held there on special occasions.
The dome of the church is decorated with a fresco showing Christ Pantocrator, the 'All sovereign'. Surrounding the figure of Christ is a double row of angels moving towards the Hetoimasia or empty throne prepared by God the Father for the Second Coming of Christ. The throne is guarded by the Archangel Michael and Archangel Gabriel and two seraphim. The Virgin Mary leads one line of angels to the throne, while John the Baptist leads the other. In the apse, the Virgin is depicted as flanked by the two archangels with a medallion on her breast of the infant Christ, symbolizing the Incarnation of Christ.
The frescoes within the church were maintained in good condition and in 1972 maintenance was undertaken by the Department of Antiquities of Cyprus. Following the 1974 Turkish invasion the frescos were removed, sometime between 1974 and the spring of 1983. The dome fresco with Christ Pantokrator and an apse depicting the Virgin Mary were cut into 38 pieces, and shipped to Germany by Aydın Dikmen, the Turkish art dealer and notorious smuggler, who claimed they originated from an abandoned church in southern Turkey, and prepared to sell them into the European art market. The Department of Antiquities of Cyprus was able to show that the murals were forcibly removed from the church of St. Euphemianos and following lengthy negotiations, it was agreed that ownership of the murals belongs to the Orthodox Church of Cyprus. The 38 fresco fragments were bought by the Houston-based Menil Foundation on behalf of the Greek Orthodox Church of Cyprus, the rightful owner of the frescoes. The Menil Foundation then funded a careful restoration of the paintings.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.