Top Historic Sights in Amsterdam, Netherlands
Explore the historic highlights of Amsterdam
Royal Palace of Amsterdam
The Royal Palace is one of three palaces in the Netherlands which are at the disposal of the monarch by Act of Parliament. The palace was built as the Town Hall of the City of Amsterdam and was opened as such on 29 July 1655 by Cornelis de Graeff, the political and social leader of Amsterdam. It is now called as the royal palace and used by the monarch for entertaining and official functions during state visits and other ...Nieuwe Kerk
After the Oude Kerk ('Old Church') grew too small for the expanding population of the town, the bishop of Utrecht in 1408 gave permission to build a second parish church in Amsterdam. The Nieuwe Kerk ('new church') was consecrated to St. Mary and St. Catharine. The church was damaged by the city fires of 1421 and 1452 and burned down almost entirely in 1645, after which it was rebuilt in Gothic style. ...Rijksmuseum
The Rijksmuseum is a Dutch national museum dedicated to arts and history in Amsterdam. The museum has on display 8,000 objects of art and history, from their total collection of 1 million objects from the years 1200–2000. The collection contains more than 2,000 paintings from the Dutch Golden Age by notable painters such as Jacob Isaakszoon van Ruisdael, Frans Hals, Johannes Vermeer, Jan Steen, Rembrandt, and Rembra ...American Hotel
The American Hotel, locally known as the Hotel Americain, was built in 1898-1900 by W. Kromhout and W. G. Jansen in the Berlage style. In 1927-1928 an expansion was realized from a design by the architect G.J. Rutgers in collaboration with K. Bakker in 1927-1928. Both the expansion and the café are National Heritage sites. The Amsterdam American Hotel is a member of Historic Hotels Worldwide.Oude Kerk
The Oude Kerk ('old church') is Amsterdam’s oldest building, founded ca. 1213. Over time, this structure was replaced by a stone church that was consecrated in 1306 by the bishop of Utrecht with Saint Nicolas as its patron saint. The church stood for only a half-century before the first alterations were made; the aisles were lengthened and wrapped around the choir in a half circle to support the structure. Not long ...Beurs van Berlage
The Beurs van Berlage was designed as a commodity exchange by architect Hendrik Petrus Berlage and constructed between 1896 and 1903. It influenced many modernist architects, in particular functionalists and the Amsterdam School. It is now used as a venue for concerts, exhibitions and conferences. The building is constructed of red brick, with an iron and glass roof and stone piers, lintels and corbels. Its entrance is u ...Stedelijk Museum
The Stedelijk Museum Amsterdam is a museum for modern art, contemporary art and design. The 19th century building was designed by Adriaan Willem Weissman and the 21st century wing with the current entrance was designed by Benthem Crouwel Architects. The collection comprises modern and contemporary art and design from the early 20th century up to the 21st century. It features artists such as Vincent van Gogh, Wassily Kand ...Basilica of St. Nicholas
The Basilica of St. Nicholas is the major Catholic church in Amsterdam. Officially the church was called St. Nicholas inside the Walls, i.e. the oldest part of the Amsterdam defence works. The architect, Adrianus Bleijs (1842-1912) designed the church basing himself on a combination of several revival styles of which Neo-Baroque and neo-Renaissance are the most prominent models. The facade is crowned by two towers with a ...Anne Frank House
The Anne Frank House is a museum dedicated to Jewish wartime diarist Anne Frank, who hid from Nazi persecution with her family and four other people in hidden rooms at the rear of the building. As well as the preservation of the hiding place — known in Dutch as the Achterhuis — and an exhibition on the life and times of Anne Frank, the museum acts as an exhibition space to highlight all forms of persecution and discri ...English Reformed Church
The English Reformed Church is one of the oldest buildings in Amsterdam. It is home to an English-speaking congregation which is affiliated to the Church of Scotland and to the Protestant Church in the Netherlands. The Begijnhof, an enclosed courtyard, was a 14th-century residence for the sisterhood of the Catholic Beguines, and the church was originally established as their chapel. It was confiscated from the Catholic la ...Westerkerk
Westerkerk ('Western church') was one of the first purposely built Protestant churches. Today the Westerkerk remains the largest church in the Netherlands that was built for Protestants. In was built in 1620-1631 after a design by the late Renaissance architect Hendrick de Keyser in the Dutch Renaissance style and in the form of a patriarchal cross. The spire, called the Westertoren ('Western tower'), ...Waag
The Waag ('weigh house') was originally a city gate and part of the walls of Amsterdam. It is the oldest remaining non-religious building in Amsterdam. The gate, called as Sint Antoniespoort (Saint Anthony"s Gate), was part of the medieval city walls along the moat formed by the current Singel canal and the canals of the Kloveniersburgwal and the Geldersekade. These walls were constructed during the period ...Munttoren
The Munttoren ('Coin Tower') was originally part of the Regulierspoort, one of the main gates in Amsterdam"s medieval city wall. The gate, built in the years 1480, consisted of two towers and a guard house. The name of the tower refers to the fact that it was used to mint coins in the 17th century. After the gate went up in flames in a 1618 fire, only the guard house and part of the western tower remained ...Schreierstoren
The Schreierstoren, originally part of the medieval city wall of Amsterdam, was built in the 15th century. It was the location from which Henry Hudson set sail on his journey to Northern America. This expedition would lead to the discovery of the island of Manhattan among others. It was built as a defense tower in 1481. It is currently a café.De Krijtberg
De Krijtberg Kerk is a Roman Catholic church designed by Alfred Tepe and opened in 1883. The church is dedicated to St Francis Xavier and is one of the rectorates within the Roman Catholic parish of St Nicholas, and is recognised by its two pointed towers. Since 1654 it has been a Jesuit church and services there are in a variety of styles.Zuiderkerk
The Zuiderkerk ('southern church') was the city"s first church built specifically for Protestant services. It was constructed between 1603 and 1611. The distinctive church tower, which dominates the surrounding area, was not completed until 1614 and contains a carillon of bells built by the brothers Hemony, installed in 1656. The Zuiderkerk was used for church services until 1929. During the final (1944-19 ...Rembrandt House Museum
The Rembrandt House Museum is a house in the Jodenbreestraat, where Rembrandt lived and painted for a number of years. A few years ago the house was thoroughly reconstructed on the inside to show how the house would have looked in Rembrandt"s days. Adjoining (and linked to) the house is a modern building where work of Rembrandt is on display, mainly etchings and also a part of his collection of objects from all over ...Canal Ring of Amsterdam
Built during the Golden Age of the 17th century, Amsterdam’s Canal Ring, known locally as the Grachtengordel, is comprised of a network of intersecting waterways. These were developed through the drainage and reclamation of land for new development. Yet what was initially a practical feature, allowing the city to grow beyond its fortified boundaries, subsequently evolved into the area’s characteristic gabled canal-sid ...Ronde Lutherse Kerk
The Ronde Lutherse Kerk or Koepelkerk is a former Lutheran church designed by Adriaan Dortsman (ca. 1636-1682). It was opened in 1671. The organ was built by J Batz in 1830 and it was restored in 1983 by Flentrop Orgelbouw. In 1882 it was rebuilt after a fire. In 1935 the Lutherans left the building and it became a concert hall.Noorderkerk
The Noorderkerk ('northern church') was built between 1620–1623 to serve the rapidly growing population of the new Jordaan neighbourhood. The Jordaan already had a church, the Westerkerk, but the city government decided that a second church should be built to serve the northern part of the neighbourhood. The Noorderkerk became the church for the common people, while the Westerkerk was used mainly by the mi ...Joods Historisch Museum
The Joods Historisch Museum (Jewish Historical Museum) is dedicated to Jewish history, culture and religion, in the Netherlands and worldwide. The Joods Historisch Museum opened its doors in 1932 and was inititally housed at the Waag (Weighing House) on Nieuwmarkt square. Following the Nazi occupation of the Netherlands in World War II, the museum was forced to close and much of the collection was lost. The museum reopene ...Moses and Aaron Church
In the first centuries after the Reformation, the public display of Roman Catholic services and accessories was not tolerated – officially forbidden in 1660 – in Amsterdam. So in 1641 the Franciscans opened a house church, the second of its kind in the city, at a house called the 'Moyses' (Moses), at the back of the present church. In 1682, the house was joined by the neighboring house 'Aäron' (Aaron) with the purcha ...Montelbaanstoren
The Montelbaanstoren is a tower on bank of the canal Oudeschans. The original tower was built in 1516 for the purpose of defending the city. The top half, designed by Hendrick de Keyser, was extended to its current, decorative form in 1606.Oosterkerk
The Oosterkerk ('eastern church') is a Dutch Reformed church built in the period 1669-1671 by architect Daniël Stalpaert and completed by Adriaan Dortsman. The church bells were cast by Pieter Hemony. The church has not been used for church services since 1962, and fell into decay since then. It was restored in the 1980s. The layout of the church is in the shape of a Greek cross in which the space between ...Defence Line of Amsterdam
The UNESCO World Heritage Site known as the Defence Line of Amsterdam (in Dutch named Stelling van Amsterdam) is a 135 km long ring of fortifications around Amsterdam, consisting of 42 forts located between 10 to 15 kilometers from the centre, and lowlands that can easily be flooded in time of war. The flooding was designed to give a depth of about 30 cm, insufficient for boats to traverse. Any buildings within 1 km of th ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Quimper Cathedral
From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.
The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.
At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.
The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.
The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.
Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).
The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.
At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».
The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.