The Waag ('weigh house') was originally a city gate and part of the walls of Amsterdam. It is the oldest remaining non-religious building in Amsterdam. The gate, called as Sint Antoniespoort (Saint Anthony's Gate), was part of the medieval city walls along the moat formed by the current Singel canal and the canals of the Kloveniersburgwal and the Geldersekade. These walls were constructed during the period 1481–1494 and consisted of defensive towers and city gates connected by walls of brick with a natural stone pediment. All that remains of the walls is some sandstone in the Geldersekade canal wall.
When the city expanded beyond its walls the late 16th century, Saint Anthony's Gate lost its function as a city gate. Shortly thereafter, during the years 1603–1613, the walls were demolished. In 1614, the present Nieuwmarkt square was created by covering the canal on either side of the gate. In addition, the square was raised, causing part of the brickwork of the gate to disappear below ground. This makes the building appear shorter than it actually is.
In the early 17th century, the former city gate was repurposed as a weigh house, a public building where various goods were weighed. This new weigh house was needed to relieve the Waag op de Dam, the original weigh house on Dam square, which had become too small for the needs of the rapidly growing city.
An inner courtyard was added in 1617–1618 by covering the area between the front and main gates. A number of guilds were housed on the top floors of the building: the blacksmiths' guild, the painter's guild, the masons' guild and the surgeons' guild. Each guild had its own entrance gate. The guild emblems are still visible over these entrances. The gate of the masons' guild includes sculpture work by Hendrick de Keyser. Over the entrance for the surgeons' guild is the inscription Theatrum Anatomicum.
In 1690–1691, a large dome-shaped hall was added, topped by a central octagonal tower. The interior also dates to this time period.
After falling into disuse as a weigh house, the Waag served a range of different functions. In the 19th century it was used consecutively as a fencing hall, a furniture workshop, a workshop for oil lamps used for street lighting, a fire station, and as the city archives. In the first half of the 19th century, punishments were carried out in front of the building. There was even a guillotine.
In the 20th century, the building was used primarily as a museum. It was the original location of the Amsterdams Historisch Museum (now Amsterdam Museum) as well as the Joods Historisch Museum (Jewish Historical Museum). Following the restoration, the building was rented out. Waag Society, a foundation that aims to foster experimentation with new technologies, art and culture, is housed on the upper floors. The ground floor is now a café and restaurant.References:
Hochosterwitz Castle is considered to be one of Austria's most impressive medieval castles. The rock castle is one of the state's landmarks and a major tourist attraction.
The site was first mentioned in an 860 deed issued by King Louis the German of East Francia, donating several of his properties in the former Principality of Carantania to the Archdiocese of Salzburg. In the 11th century Archbishop Gebhard of Salzburg ceded the castle to the Dukes of Carinthia from the noble House of Sponheim in return for their support during the Investiture Controversy. The Sponheim dukes bestowed the fiefdom upon the family of Osterwitz, who held the hereditary office of the cup-bearer in 1209.
In the 15th century, the last Carinthian cup-bearer, Georg of Osterwitz was captured in a Turkish invasion and died in 1476 in prison without leaving descendants. So after four centuries, on 30 May 1478, the possession of the castle reverted to Emperor Frederick III of Habsburg.
Over the next 30 years, the castle was badly damaged by numerous Turkish campaigns. On 5 October 1509, Emperor Maximilian I handed the castle as a pledge to Matthäus Lang von Wellenburg, then Bishop of Gurk. Bishop Lang undertook a substantial renovation project for the damaged castle.
About 1541, German king Ferdinand I of Habsburg bestowed Hochosterwitz upon the Carinthian governor Christof Khevenhüller. In 1571, Baron George Khevenhüller acquired the citadel by purchase. He fortified to deal with the threat of Turkish invasions of the region, building an armory and 14 gates between 1570 and 1586. Such massive fortification is considered unique in citadel construction.
Since the 16th century, no major changes have been made to Hochosterwitz. It has also remained in the possession of the Khevenhüller family as requested by the original builder, George Khevenhüller. A marble plaque dating from 1576 in the castle yard documents this request.
A specific feature is the access way to the castle passing through a total of 14 gates, which are particularly prominent owing to the castle's situation in the landscape. Tourists are allowed to walk the 620-metre long pathway through the gates up to the castle; each gate has a diagram of the defense mechanism used to seal that particular gate. The castle rooms hold a collection of prehistoric artifacts, paintings, weapons, and armor, including one set of armor 2.4 metres tall, once worn by Burghauptmann Schenk.