The Waag ('weigh house') was originally a city gate and part of the walls of Amsterdam. It is the oldest remaining non-religious building in Amsterdam. The gate, called as Sint Antoniespoort (Saint Anthony's Gate), was part of the medieval city walls along the moat formed by the current Singel canal and the canals of the Kloveniersburgwal and the Geldersekade. These walls were constructed during the period 1481–1494 and consisted of defensive towers and city gates connected by walls of brick with a natural stone pediment. All that remains of the walls is some sandstone in the Geldersekade canal wall.
When the city expanded beyond its walls the late 16th century, Saint Anthony's Gate lost its function as a city gate. Shortly thereafter, during the years 1603–1613, the walls were demolished. In 1614, the present Nieuwmarkt square was created by covering the canal on either side of the gate. In addition, the square was raised, causing part of the brickwork of the gate to disappear below ground. This makes the building appear shorter than it actually is.
In the early 17th century, the former city gate was repurposed as a weigh house, a public building where various goods were weighed. This new weigh house was needed to relieve the Waag op de Dam, the original weigh house on Dam square, which had become too small for the needs of the rapidly growing city.
An inner courtyard was added in 1617–1618 by covering the area between the front and main gates. A number of guilds were housed on the top floors of the building: the blacksmiths' guild, the painter's guild, the masons' guild and the surgeons' guild. Each guild had its own entrance gate. The guild emblems are still visible over these entrances. The gate of the masons' guild includes sculpture work by Hendrick de Keyser. Over the entrance for the surgeons' guild is the inscription Theatrum Anatomicum.
In 1690–1691, a large dome-shaped hall was added, topped by a central octagonal tower. The interior also dates to this time period.
After falling into disuse as a weigh house, the Waag served a range of different functions. In the 19th century it was used consecutively as a fencing hall, a furniture workshop, a workshop for oil lamps used for street lighting, a fire station, and as the city archives. In the first half of the 19th century, punishments were carried out in front of the building. There was even a guillotine.
In the 20th century, the building was used primarily as a museum. It was the original location of the Amsterdams Historisch Museum (now Amsterdam Museum) as well as the Joods Historisch Museum (Jewish Historical Museum). Following the restoration, the building was rented out. Waag Society, a foundation that aims to foster experimentation with new technologies, art and culture, is housed on the upper floors. The ground floor is now a café and restaurant.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.