Built during the Golden Age of the 17th century, Amsterdam’s Canal Ring, known locally as the Grachtengordel, is comprised of a network of intersecting waterways. These were developed through the drainage and reclamation of land for new development. Yet what was initially a practical feature, allowing the city to grow beyond its fortified boundaries, subsequently evolved into the area’s characteristic gabled canal-side estates and spectacular monuments thanks to financial enrichment from the booming maritime trade. The most famous trademarks of this new canal belt became the concentric loop of the Prinsengracht, Keizersgracht, Herengracht and Singel canals.
Since 1999, the city’s distinctive canal landscape has officially been protected, and in 2010 the Amsterdam Canal Ring was added to UNESCO’s World Heritage List. In 2013, the Canal Ring also celebrated its 400th birthday.
Amsterdam’s maritime success in the Golden Age not only led to urban expansion, but a boom in trade and architectural development. This was marked by the building of the city’s remarkable canal-side estates in the 17th and 18th centuries – most of which are still standing today. Even if you aren’t lucky enough to call one of these monuments your home, there are plenty of ways to experience life by the water in both museumsand special events in and around the canals.
Located inside an actual canal house, Het Grachtenhuis (Museum of the Canals) is a great way to learn more about the Canal Ring and its development over the centuries, with its multimedia exhibits bringing history to life. And for those looking to experience the present as well as learn about the past, events such as Open Garden Days and Amsterdam Heritage Days allow canal houses and city centre monuments to open their doors to the public.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.