The Basilica of St. Nicholas is the major Catholic church in Amsterdam. Officially the church was called St. Nicholas inside the Walls, i.e. the oldest part of the Amsterdam defence works. The architect, Adrianus Bleijs (1842-1912) designed the church basing himself on a combination of several revival styles of which Neo-Baroque and neo-Renaissance are the most prominent models.
The facade is crowned by two towers with a rose window in between. The centre of this window is formed by a bas relief depicting Christ and the four Evangelists, made in the Van den Bossche and Crevels workshop in 1886. A sculpture of the patron saint of both the church and the city of Amsterdam was placed in a niche in the upper section of the gable top. The well-known sculptor Bart van Hove (1850-1914) made the sculpture in 1886. The crossing is articulated by a large octagonal tower with a baroque dome and lantern and crowned by a cross. The basis of the groundplan is the scheme of the classic three-aisled cross-basilica, i.e. a nave, two aisles and a single transept. The choir is located as is usual, at the end of the nave. In the corners formed by the transept and the nave, two chapels are located, traditionally devoted to Mary and Joseph.
The basilica has a collection of religious murals. Above the high altar is the crown of Maximilian I, which is a symbol seen throughout Amsterdam. Inside the newly renovated church, a 19th-century Sauer Organ can be found, on which concerts are given and mass is accompanied.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.