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Founded: 1716Category: Castles and fortifications in Germany
Historical period: Thirty Years War & Rise of Prussia (Germany)
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Schloss Johannisberg is a castle and winery in the Rheingau wine-growing region of Germany. It has been making wine for over 900 years. The winery is most noted for its claim to have 'discovered' late harvest wine.
A mountain on the north bank of the River Rhine near Mainz has been associated with the Church and with winemaking since the Dark Ages, when the estate of Ludwig der Fromme ('Louis the Pious') made 6000 litres of wine during the reign of Charlemagne. In 1100, Benedictine monks completed a monastery on the Bischofsberg ('Bishop's') mountain, having identified the site as one of the best places to grow vines. Thirty years later they built a Romanesque basilica in honour of John the Baptist, and the hill became known as Johannisberg ('John's mountain'). It was constructed on floor plans similar to that of its mother house, St. Alban's Abbey, Mainz. The monastery was a prime target for the Anabaptists in the German Peasants' War of 1525, and it was destroyed.
In 1716, Konstantin von Buttlar, Prince-Abbot of Fulda, bought the estate from Lothar Franz von Schönborn, started construction of the baroque palace, and, in 1720, planted Riesling vines, making it the oldest Riesling vineyard in the world. The estate changed hands several times during the Napoleonic Wars, but in 1816 Francis II, Holy Roman Emperor, gave it to the great Austrian statesman Prince von Metternich.
In 1942, the Schloss was bombed and reduced to a shell by the air raids on Mainz in 1942. By the mid-1960s it had been largely rebuilt by Prince Paul Alfons von Metternich and his wife Princess Tatiana, who had fled there on a farm cart in 1945 after the Russians had advanced on their other estates. Prince Paul died in 1992, leaving no heir, but a significant portion of his fortune to his mistress. With his death the House of Metternich became extinct. Although Princess Tatiana was allowed to reside in the Schloss until her death in 2006, the situation had forced her husband to sell the estate to the German Oetker family in 1974.
References:Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.