Schloss Johannisberg is a castle and winery in the Rheingau wine-growing region of Germany. It has been making wine for over 900 years. The winery is most noted for its claim to have 'discovered' late harvest wine.
A mountain on the north bank of the River Rhine near Mainz has been associated with the Church and with winemaking since the Dark Ages, when the estate of Ludwig der Fromme ('Louis the Pious') made 6000 litres of wine during the reign of Charlemagne. In 1100, Benedictine monks completed a monastery on the Bischofsberg ('Bishop's') mountain, having identified the site as one of the best places to grow vines. Thirty years later they built a Romanesque basilica in honour of John the Baptist, and the hill became known as Johannisberg ('John's mountain'). It was constructed on floor plans similar to that of its mother house, St. Alban's Abbey, Mainz. The monastery was a prime target for the Anabaptists in the German Peasants' War of 1525, and it was destroyed.
In 1716, Konstantin von Buttlar, Prince-Abbot of Fulda, bought the estate from Lothar Franz von Schönborn, started construction of the baroque palace, and, in 1720, planted Riesling vines, making it the oldest Riesling vineyard in the world. The estate changed hands several times during the Napoleonic Wars, but in 1816 Francis II, Holy Roman Emperor, gave it to the great Austrian statesman Prince von Metternich.
In 1942, the Schloss was bombed and reduced to a shell by the air raids on Mainz in 1942. By the mid-1960s it had been largely rebuilt by Prince Paul Alfons von Metternich and his wife Princess Tatiana, who had fled there on a farm cart in 1945 after the Russians had advanced on their other estates. Prince Paul died in 1992, leaving no heir, but a significant portion of his fortune to his mistress. With his death the House of Metternich became extinct. Although Princess Tatiana was allowed to reside in the Schloss until her death in 2006, the situation had forced her husband to sell the estate to the German Oetker family in 1974.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.