The Cathedral of Saint Peter in Trier is the oldest cathedral in Germany. The edifice is notable for its extremely long life span under multiple different eras each contributing some elements to its design, including the center of the main chapel being made of Roman brick laid under the direction of Saint Helen, resulting in a cathedral added onto gradually rather than rebuilt in different eras. Its dimensions, 112.5 by 41 m, make it the largest church structure in Trier. In 1986 it was listed as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site.
The structure is raised upon the foundations of Roman buildings of Augusta Treverorum. Following the conversion of the Emperor Constantine the Bishop Maximin of Trier (329-346) coordinated the construction of the grandest ensemble of ecclesiastical structures in the West outside Rome: on a groundplan four times the area of the present cathedral no less than four basilicas, a baptistery and outbuildings were constructed; the four piers of the crossing formed the nucleus of the present structure.
The fourth-century structure was left in ruins by the Franks and rebuilt. Normans destroyed the structure again in 882. Under Archbishop Egbert (d. 993) it was restored once more.
The West front in five symmetrical sections remains typical of Romanesque architecture under the Salian emperors. The West end choir, with its apsidal semi-cylinder expressed on the exterior façade, was completed in 1196. The interior is of three Romanesque naves with Gothic vaulting, and a Baroque chapel for the relic of the Seamless robe of Jesus, recovered from the interior of the high altar in 1512, complete the interior.
The skull of St. Helena, the mother of Emperor Constantine, is displayed in the cathedral.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.