Huis ten Bosch ('House in the Woods') is a royal palace and one of three official residences of the Dutch Royal Family. Construction of Huis ten Bosch began in 1645, under the direction of Bartholomeus Drijffhout, and to a design by Pieter Post and Jacob van Campen. It was commissioned by Amalia von Solms, the wife of stadtholder Frederick Henry, on a parcel of land granted to her by the States General. The first stone was laid by Elizabeth of Bohemia.

After her husband's death in 1647, Amalia dedicated the palace to him. Led by the Catholic architect-painters Jacob van Campen and Pieter Post, other major Catholic artists of the day such as Gerard van Honthorst, Jacob Jordaens, Thomas Willeboirts Bosschaert, Theodoor van Thulden, Caesar van Everdingen, Salomon de Bray, Pieter Soutman, Gonzales Coques, Pieter de Grebber, Adriaen Hanneman and Jan Lievens filled the Oranjezaal ('Orange Hall' ) with paintings glorifying the late prince. The dining room was designed by Daniel Marot.

Over the next century and a half, the palace would change possession from the Nassau family, the king of Prussia, and many stadtholders until the French invaded in 1795. They gave the palace to the Batavian (Dutch) people who still own it to this day.

The National Art Gallery, precessor of the Rijksmuseum, was housed in the building from 1800 to 1805. Napoleon Bonaparte's brother, Louis, king of Holland, briefly lived in the palace between 1805 and 1807.

When William I was proclaimed King of the Netherlands, he made Huis ten Bosch one of his official residences. It became a favourite location for many members of the Royal Family, and during World War I it became the primary residence of Queen Wilhelmina.

The Queen and her family were forced to evacuate the palace for Britain (from which the Queen's family, but not the Queen herself, would move on to Canada) when the German army invaded the Netherlands during World War II. The Nazi administration planned to demolish the palace, but the controller convinced them otherwise. However, the palace was damaged beyond habitation.

Between 1950 and 1956, the palace was restored and once again became a Royal residence. It became the prime residence once more in 1981.

The palace has undergone major reconstructions since it was built. Currently, it consists of a central part with two long wings, spanning approximately 110 m from end to end.

References:

Comments

Your name

Website (optional)



Details

Founded: 1645
Category: Palaces, manors and town halls in Netherlands

Rating

4.2/5 (based on Google user reviews)

User Reviews

Jan Kees de Nooijer (2 years ago)
what can i say, under construction for the moment
Geert Wirken (2 years ago)
There is not much to see, the palace is closed to the public. And currently it's being renovated, so even the outside view near the garden entrance in the forest isn't very nice (lots of scaffolding and construction material).
David Boers (4 years ago)
Cute palace, inaccessible to public, beware of paramilitary police guarding this residence of the king.
Johan-Martijn ten Hove (4 years ago)
Visited the Oranjezaal, which was temporarily opened to the public. It was great to see all the wall paintings in the dome-ceiling room. Unfortunately we were not allowed to see the rest of the palace and also taking pictures was forbidden.
Aaron Ciuffo (4 years ago)
Occasionally the painting gallery is open by appointment. Guests can register on line for a tour. The staff is very friendly and very knowledgeable. The tours are primarily given in Dutch. The painting gallery is gorgeous and records the great moments in the Dutch kingdom.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Charlottenburg Palace

Charlottenburg Palace is the largest palace in Berlin and the only surviving royal residence in the city dating back to the time of the Hohenzollern family. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. The inauguration of the palace was celebrated on 11 July 1699, Frederick's 42nd birthday.

Friedrich crowned himself as King Friedrich I in Prussia in 1701 (Friedrich II, known as Frederick the Great, would later achieve the title King of Prussia). Two years previously, he had appointed Johann Friedrich von Eosander (also known as Eosander von Göthe) as the royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702, Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. In the following years, the Orangery was built on the west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome is a wind vane in the form of a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to overwinter rare plants. During the summer months, when over 500 orange, citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.

Inside the palace, was a room described as 'the eighth wonder of the world', the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schlüter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716.

When Friedrich I died in 1713, he was succeeded by his son, Friedrich Wilhelm I whose building plans were less ambitious, although he did ensure that the building was properly maintained. Building was resumed after his son Friedrich II (Frederick the Great) came to the throne in 1740. During that year, stables for his personal guard regiment were completed to the south of the Orangery wing and work was started on the east wing. The building of the new wing was supervised by Georg Wenzeslaus von Knobelsdorff, the Superintendent of all the Royal Palaces, who largely followed Eosander's design. The decoration of the exterior was relatively simple but the interior furnishings were lavish. The ground floor was intended for Frederick's wife Elisabeth Christine, who, preferring Schönhausen Palace, was only an occasional visitor. The decoration of the upper floor, which included the White Hall, the Banqueting Hall, the Throne Room and the Golden Gallery, was lavish and was designed mainly by Johann August Nahl. In 1747, a second apartment for the king was prepared in the distant eastern part of the wing. During this time, Sanssouci was being built at Potsdam and once this was completed Frederick was only an occasional visitor to Charlottenburg.

In 1786, Frederick was succeeded by his nephew Friedrich Wilhelm II who transformed five rooms on the ground floor of the east wing into his summer quarters and part of the upper floor into Winter Chambers, although he did not live long enough to use them. His son, Friedrich Wilhelm III came to the throne in 1797 and reigned with his wife, Queen Luise for 43 years. They spent much of this time living in the east wing of Charlottenburg. Their eldest son, Friedrich Wilhelm IV, who reigned from 1840 to 1861, lived in the upper storey of the central palace building. After Friedrich Wilhelm IV died, the only other royal resident of the palace was Friedrich III who reigned for 99 days in 1888.

The palace was badly damaged in 1943 during the Second World War. In 1951, the war-damaged Stadtschloss in East Berlin was demolished and, as the damage to Charlottenburg was at least as serious, it was feared that it would also be demolished. However, following the efforts of Margarete Kühn, the Director of the State Palaces and Gardens, it was rebuilt to its former condition, with gigantic modern ceiling paintings by Hann Trier.

The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by André Le Nôtre, designer of the gardens at Versailles. Godeau's design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century, a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenné. After the Second World War, the centre of the garden was restored to its previous baroque style.