The Gevangenpoort (Prisoner's Gate) is a former gate and medieval prison on the Buitenhof. From 1420 until 1828, the prison was used for housing people who had committed serious crimes while they awaited sentencing.
Its most famous prisoner was Cornelis de Witt, who was held on the charge of plotting the murder of the stadtholder. He was lynched together with his brother Johan on 20 August 1672 on the square in front of the building.
In 1882, the Gevangenpoort became a prison museum. The 'gate' function was lost in 1923 when the houses adjoining the Hofvijver were taken down to build the street that now allows busy traffic to run by it.
Since 2010, museum visitors can view the restored art gallery that can be reached through a special staircase that connects the two buildings. The collection which hangs here is a modern reconstruction of the original 1774 art cabinet that was situated upstairs above the fencing school. The paintings are again upstairs, hanging crowded together on the walls in the style of the late 18th-century. In 1822 the collection was moved to the Mauritshuis which remains the formal owner of the paintings on display. During restoration activities, highlights of the permanent Mauritshuis collection have been temporarily displayed in the gallery.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.