The Kloosterkerk (or Cloister Church) was originally a monastery first built for the Dominicans in The Hague in 1397. A thriving new center of arts was established in The Hague by the Court of Albrecht of Bavaria (1336–1404) and his second wife Margaret of Cleves. Some known artistic products to have been produced in this period are an important illuminated manuscript, the Hours of Margaret of Cleves commissioned between 1395-1400, and the visually similar Biblia pauperum.
In 1420 a fire raged through the monastery, but serious renovations are not recorded until the church's southern transept was added in the beginning of the 16th century. The church was expanded around 1540 with an enlarged aisle and side chapels. The center barrel vaulted aisle is 20 meters high and 11.5 meters wide. The worship space became a pilgrimage church, where people could visit and pass through, while services were being held in the central aisle or nave. At this time the church was also dedicated to St. Vincent, a Valencian Dominican missionary who was canonized in 1455.
The church was stripped of Catholic decorations during the beeldenstorm (iconoclasm of 1566). A number of monks lived on for a few more years, but in 1574 the last few monks left. After being abandoned for 12 years, the church had deteriorated and some suggested to tear it down. In 1588 a cavalry company seeking shelter settled in the former church. The following year the church and choir were made into a cannon foundry for the States of Holland and West Friesland. The choir was used as a foundry and the church served as a munition store with the two walled off from each other. On November 3, 1690, the ammunition stored in the church exploded leaving only one wall of the monastery remaining. The monastery then temporarily served as a hospital. In 1583 most of the monastery was demolished, though the church remained.
A part of the building became a church again in 1617 after remonstrants had successfully 'squatted' it. In 1620 a mechanical clock was added to the tower, made by Huyck Hopcoper. For the centuries to follow the church was used for Dutch reformist worship with the pulpit standing against the north wall. Throughout the 17th century, the burial of people in the church brought money and numerous hatchments. Most walls and columns were covered with hatchments, with the graves predominantly in the choir.
Rosettes in the ceiling are attributed to Gerhard Jansen (1868–1956). Other furnishings include a pulpit of oak with Flemish carvings, circa 1700. Carvings on the pulpit show the Four Evangelists. Stained glass windows throughout the church are attributed to Lou Asperslagh (1893–1949). The first liturgical service of the Dutch Reformed Church was held in the Kloosterkerk in 1911 and an impending demolition avoided in 1912. For the next two years the dilapidated church building was restored. Subsequent improvements include restoration of furniture brought from the former Duinoord Kloosterkerk; and the wall between the nave and choir was removed. In 1966 an organ by Danish organ builder Marcussen was installed.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.