The earliest data regarding human settlement at Vallimäe in Rakvere come from the Viking Age, an arrowhead from the 9th century and some broken pieces of pottery from this period have been found on the territory of the castle. There is more information about the last centuries of the prehistoric age when an ancient wooden stronghold surrounded by a fence stood in the place of the present convent building.
First written records about the stronghold called Tarvanpea come from the year 1226. In the middle of the 13th century the Danes started to replace the wooden stronghold with a more modern stone fortress.
After Virumaa and Harjumaa passed into the possession of the Livonian Order in 1347, a grand-scale reconstruction of the castle was carried out in several stages. In the first half of the 16th century a convent-type castle with a rectangular main tower was completed, it had strong flanks, a large front yard and an eastern gate consisting of several parts: the outer gate included a pitfall and a drawbridge and the inner gate had a lowered lattice. Living quarters and outbuildings were located in the front yard, near the circular wall.
During the Livonian war (1558–1583) the castle was attacked and damaged by the Russians, but it ended up under Swedish control. From 1602 to 1605 Rakvere fortress fell under the control of the Polish-Lithuanian commonwealth. When they retreated from Rakvere in 1605 during the war with Sweden, they blew up the castle.
Today Rakvere castle is open to the public. In addition to the museum you can taste knights’ favourite drink, a Malvasia wine, made after the oldest recipe at the wine cellar.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.