The Palais Garnier is a opera house, which was built from 1861 to 1875 for the Paris Opera. The architect was Charles Garnier (1825–1898). It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier in recognition of its opulence and its architect, Charles Garnier. The theatre is also often referred to as the Opéra Garnier, and historically was known as the Opéra de Paris or simply the Opéra, as it was the primary home of the Paris Opera and its associated Paris Opera Ballet until 1989, when the Opéra Bastille opened at the Place de la Bastille. The Paris Opera now mainly uses the Palais Garnier for ballet.
The Palais Garnier is one of the most famous opera houses in the worlkd. This is at least partly due to its use as the setting for Gaston Leroux's 1910 novel The Phantom of the Opera and, especially, the novel's subsequent adaptations in films and Andrew Lloyd Webber's popular 1986 musical.
The Palais Garnier also houses the Bibliothèque-Musée de l'Opéra de Paris (Paris Opera Library-Museum). Although the Library-Museum is no longer managed by the Opera and is part of the Bibliothèque nationale de France, the museum is included in unaccompanied tours of the Palais Garnier.
References:The Château du Haut-Koenigsbourg is situated in a strategic area on a rocky spur overlooking the Upper Rhine Plain, it was used by successive powers from the Middle Ages until the Thirty Years' War when it was abandoned. From 1900 to 1908 it was rebuilt at the behest of the German kaiser Wilhelm II. Today it is a major tourist site, attracting more than 500,000 visitors a year.
The first records of a castle built by the Hohenstaufens date back to 1147. The fortress changed its name to Koenigsburg (royal castle) around 1157. The castle was handed over to the Tiersteins by the Habsburgs following its destruction in 1462. They rebuilt and enlarged it, installing a defensive system designed to withstand artillery fire.
The fortification work accomplished over the 15th century did not suffice to keep the Swedish artillery at bay during the Thirty Years War, and the defences were overrun.