The Church of Saint Nicolas des Champs was once part of the powerful Abbey of Saint Martin des Champs. The abbey was founded as a daughter house of the Benedictine monastery of Cluny in 1067. It was incorporated into the city in the 14th century when it was enclosed by the new city wall constructed under the management of the Prefect of Paris, Etienne Marcel. The church of Saint Nicolas des Champs was begun in 1420 and enlarged significantly in 1541. In 1615, another building project was completed that gives us the church we see today.
The Church of Saint Nicolas des Champs was a center for charitable works and a refuge for pilgrims until its closing at the time of the French Revolution in 1793. It was re-opened in 1795 as a temple dedicated to Faith. In the 19th century it underwent a restoration and many works of contemporary artists were added to the interior along with works donated from other Paris churches.
The church is dominated by a beautiful tower which dates from the 15th century, the top portion dates from the 17th. Parts of the nave date from the first construction of the present building in 1420. The Renaissance portail on the south side was built in the 16th century and was inspired by a drawing by Philippe de l'Orme, the architect to King Henri II. Although it now has a fairly rough exterior owing to its long life and to the rise and decline of the area, the interior of the church of Saint Nicolas des Champs is quite remarkable for its light and beauty. Twenty five large windows account for the luminous quality and add greatly to the richness of the interior decoration.
There are many wonderful masterpieces in the church including The Baptism Of Christ, a work of the 16th century by Gaudenzio Ferrari.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.