St. Stephen's Basilica is a Roman Catholic basilica named in honour of Stephen, the first King of Hungary (c. 975–1038), whose supposed right hand is housed in the reliquary. It was the sixth largest church building in Hungary before 1920. Today, it is the third largest church building in present-day Hungary.
The basilica was completed in 1905 after 54 years of construction, according to the plans of Miklós Ybl, and was completed by József Kauser. Much of this delay can be attributed to the collapse of the dome in 1868 which required complete demolition of the completed works and rebuilding from the ground up.
The architectural style is Neo-Classical; it has a Greek cross ground plan. The façade is anchored by two large bell towers. In the southern tower is Hungary's biggest bell, weighing over 9 tonnes. Its predecessor had a weight of almost 8 tonnes, but it was used for military purposes during World War II. Visitors may access the dome by elevators or by climbing 364 stairs for a 360° view overlooking Budapest.
At first, the building was supposed to be named after Saint Leopold, the patron saint of Austria, but the plan was changed in the very last minute, so it became St. Stephen's Basilica.
The Saint Stephen Basilica has played an active role in the musical community since its consecration in 1905. The head organists of the church have always been very highly regarded musicians. In the past century the Basilica has been home to choral music, classical music as well as contemporary musical performances. The Basilica choir performs often in different parts of Europe as well as at home. In the summer months they perform every Sunday. During these months you can see performances from many distinguished Hungarian and foreign organ players alike.
The Externsteine (Extern stones) is a distinctive sandstone rock formation located in the Teutoburg Forest, near the town of Horn-Bad Meinberg. The formation is a tor consisting of several tall, narrow columns of rock which rise abruptly from the surrounding wooded hills. Archaeological excavations have yielded some Upper Paleolithic stone tools dating to about 10,700 BC from 9,600 BC.
In a popular tradition going back to an idea proposed to Hermann Hamelmann in 1564, the Externsteine are identified as a sacred site of the pagan Saxons, and the location of the Irminsul (sacral pillar-like object in German paganism) idol reportedly destroyed by Charlemagne; there is however no archaeological evidence that would confirm the site's use during the relevant period.
The stones were used as the site of a hermitage in the Middle Ages, and by at least the high medieval period were the site of a Christian chapel. The Externsteine relief is a medieval depiction of the Descent from the Cross. It remains controversial whether the site was already used for Christian worship in the 8th to early 10th centuries.
The Externsteine gained prominence when Völkisch and nationalistic scholars took an interest in the late 19th and early 20th centuries. This interest peaked under the Nazi regime, when the Externsteine became a focus of nazi propaganda. Today, they remain a popular tourist destination and also continue to attract Neo-Pagans and Neo-Nazis.