Andrássy út (Avenue) is a boulevard in Budapest dating back to 1872. It links Erzsébet Square with the Városliget. Lined with spectacular Neo-renaissance mansions and townhouses featuring fine facades and interiors, it was recognised as a World Heritage Site in 2002.
It was decreed to be built in 1870, to discharge the parallel Király utca from heavy traffic and to connect the inner city parts with the City Park. Its construction began in 1872 and the avenue was inaugurated on August 20 (a national holiday), 1876. Its realization was a blend of the plans proposed by the top 3 competitors Lajos Lechner, Frigyes Feszl and Klein & Fraser. Its palaces were built by the most distinguished architects (led by Miklós Ybl) of the time, financed by Hungarian and other banking houses. These were mostly finished by 1884 and mostly aristocrats, bankers, landowners and historical families moved in. It was named in 1885 after the main supporter of the plan, Prime Minister Gyula Andrássy.
The construction of the Budapest Metro, the first underground railway in Continental Europe, was proposed in 1870, since the capital had always been opposed to surface transport on this road. Construction began in 1894 and was finished in 1896, so this new metro line could facilitate the transport to Városliget, the main venue of the millennium celebrations of Hungary.
The boulevard was renamed three times in the 1950s; a testament to the rapid political changes of the period. It became Sztálin út ('Stalin Street') in 1950 during the Soviet occupation. During the 1956 uprising it was renamed to Magyar Ifjúság útja ('Avenue of Hungarian Youth'). The following year the governing communists changed the name to Népköztársaság út ('People's Republic Street'). The former name of Andrássy was restored in 1990, after the end of the communist era.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.