The Hungarian National Museum was founded in 1802 and is the national museum for the history, art and archaeology of Hungary. The museum is in Budapest VIII in a purpose-built Neoclassical building from 1837-47 by the architect Mihály Pollack.
The Hungarian National Museum traces its foundation to 1802 when Count Ferenc Széchényi set up the National Széchényi Library. This would then be followed a year later by the donating of a mineral collection by Széchényi’s wife. This led to the creation of the Hungarian National Museum as a general and natural history museum, and not only a library. In 1807 the Hungarian National Parliament passed legislation on the new institution and asked the nation to help donate to the museum.
The Hungarian Parliament of 1832-1834 helped with the growth of the museum as well. The parliament voted in favor of giving half a million forint to help with the construction of a new building for the museum. During this time the Hungarian National History Museum was officially set up under the Hungarian National Museum. Later in 1846, the museum moved to its current location of VIII. Múzeum krt. 14-16. Here the museum resides in a neo-classical style building designed by Mihály Pollack.
In 1848 the Hungarian National Museum played a major role in the Hungarian Revolution. The Revolution was partially spurred by the reading of Sándor Petőfi’s 12 points and the famous poem Nemzeti dal on the front steps of the museum. This helped give the museum an identification as a major national identity for Hungary. In remembrance of the revolution two statues were added to the museum. The first is a statue of János Arany which was unveiled in 1883. Later in 1890 there was a statue next to the stairs of the museum of a memorial tablet to Sándor Petőfi. In addition during this time the Upper House of the parliament held its sessions in the Cereminial of the museum. This continued until the new house of Parliament was built. Today in remembrance festivities for National Commemorations Day of 1848 are held in front of the museum.
In 1949 an act mandated that the ethnographic and natural history part of the Hungarian National Museum had to split off of the main museum, and are now the Hungarian Natural History Museum and Ethnographic Museum. This also helped with the setting up of the modern day National Széchényi Library. All of these separate museums are still interconnected and other museums and monuments have become affiliated with them over time. The most recent addition was the Castle Museum in Esztergom that joined in 1985.
The Hungarian National Museum has seven permanent displays. The general history of Hungary is covered in two sections: the archaeology from prehistory to the Avar period ending in 804 AD on the first (ground) floor, and the history from 804 to modern times on the first floor. This display covers topics such as the age of the Arpads, the long Turkish occupation, Transylvania and royal Hungary. More modern and Contemporary history covered begins with the Rákóczi War of Independence, showing different sections of his military attire and various coins. The history section then ends with the rise and fall of the communist system in Hungary. In another hall on the second floor one can find out about the Scholar Hungarians who made the twentieth century. A room on the first floor displays the medieval Hungarian Coronation Mantle.
The ground floor’s permanent exhibit is focused on Medieval and Early Modern stone inscriptions and carvings. This exhibit looks at various stone relics and the carvings that have been made into them. The majority of the items in this collection were discovered during the 60’s and 70’s since they looked for more relics post World War II. The final permanent exhibit is placed in the basement of the museum. This is the Roman Lapidary exhibit, which is a collection of ancient Roman stone inscriptions and carvings.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".