The Church of St. Vincent is the seat of the Greek Catholic cathedral of Wrocław. The church was founded by Duke Henry II the Pious together with a monastery for the Franciscans brought from Prague around 1240, perhaps even as early as 1232 or 1234. Initially it was named for St. James and built in the Romanesque style. Very soon into its construction the crypt became the burial place of its founder, who was killed in 1241 fighting the Mongols at the Battle of Legnica. In this church, mentioned as being completed by 1254, on December 16, 1261 was announced a new foundation charter for the city under Magdeburg Law, allowing further development of Wrocław.
In the 14th and 15th centuries the church underwent a major reconstruction and expansion, which lasted for a long time. During these reconstructions the church still maintained a predominantly Gothic style. A quadrangle monastery adjacent to the north was constructed, unusual for the area. At the beginning of the 16th century the Franciscans were forced to either convert to Protestantism or leave Breslau. Those who remained were in 1529 moved to St. Dorothea's. The abandoned church was taken over by the Premonstratensians after the decision was made by the city council to demolish their monastery in Ołbin. On June 3, 1530, the church was rededicated to the patron saint of the demolished monastery, St. Vincent of Saragossa.
Between 1662-1674 the interior of the church was transformed with rich Baroque furnishings, including a new altar built in 1667 by Franz Zeller and Georg Czermak. In 1673 abbot Andreas Gebel initiated a reconstruction of the monastery in the Baroque style as well. The late Baroque Hochberg Chapel, officially the Chapel of Our Lady of Sorrows. was built on the southern façade from 1723-1727 by Christoph Hackner on the site of an older Gothic chapel. It was built on the orders of Count Ferndinant von Hochberg, head of the Norbertine order, as his mausoleum, though he was never buried there. It was decorated with frescoes depicting the Seven Sorrows of Mary and sculptures by Johann Georg Urbanski and Johann Adam Karinger. The astounding grille and gate to the chapel were the work of the locksmith Jacob Meyer.
After Prussia's secularization order of 1810, St. Vincent's was made into a parish church and the monastery buildings were converted into court offices. In the last days of World War II, during the Siege of Breslau, the church sustained severe damage. The tower collapsed, along with part of the side wall and vaults, and most of the interior furnishings were either destroyed or looted. The famous Hochberg Chapel was burned in a raid on Easter Sunday of 1945. After the war, the choir stalls, which had survived in good condition, were transferred to the Cathedral. The rebuilt church (whose lantern and cupola were only rebuilt in the 1980s), for a time temporarily served as the Garrison Church after a fire gutted St. Elizabeth's in the 1970s. In 1997 Pope John Paul II and Cardinal Henryk Gulbinowicz donated the church as the seat of the Greek Catholic Eparchate of Wrocław-Gdańsk. In 1999 basic reconstruction work on the church was finally finished. The ruined Hochberg Chapel was restored from 2012-2013.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.